"This is your brain. This is your brain on drugs. Any questions?"
I thought about this old drug warning commercial as I watched this film.
Veteran television actor, Brian McNamara, goes behind the camera for this chiller, which(..without profanity)would be perfect fodder for Lifetime Movie Network. It feels, looks, and sounds like material that will wind up on such a channel as it is a very "television movie" type of film. Dead of Winter concerns a young college couple planning to move into an apartment together, heading there after a New Years Party where a joker both know, slips LSD in their drink(..they also snort some junk cut by a razor). Both begin to see hallucinogenic images and hear imaginary voices, which could result in tragedy as Kevin and Tiffany leave their SUV after believing they had crashed it in the woods(..brought on by Kevin who thinks he saw a man in the back seat), getting lost, looking for his apartment. Before going off the deep end entirely, they contact emergency dispatch at the sheriff's office, asking for help, complaining of being lost. So as Kevin and Tiffany run around in the woods, and through abandoned buildings, seeing and hearing things that aren't there, the sheriff, Carl Nasland(Brian McNamara), his emergency dispatch telephone operator, Nancy Caulderbank(Ella Joyce), and deputy Dani Moriarty(Lindsay Thompson)attempt to find them. The key to what ails those trying to find their whereabouts is the fact that Kevin and Tiffany are so out-of-sorts any chance of reaching their cell phone signal is ruined because they keep hanging up. Al Santos, as Kevin, summons Jack Torrence, in a rather embarrassing performance. He devolves into a psychotic, while Tiffany herself loses grip on reality. The peril soon shifts from Tiffany, it seems, to Dani, who, despite Carl's warnings to wait until she has back-up, goes in after the kids, claiming that she knows the woods quite well. Sandra McCoy, as Tiffany, is for much of time, with Kevin, a nervous, indecisive young woman who seems to want to please him, despite reservations..we see early on that there are "faults" in Kevin's character, how he leads her into a party she's uncomfortable with, eventually partaking in smack and drink(..one shot really, but it is enough).
Director McNamara employs various methods to explain just how messed up our leads are, with images distorted and misshapen, loud score, and heavily using sound effects, such as voices whispering(..in Kevin's case, he answers the cell phone and hears Tiffany's voice when it's Nancy on the other end of the line), animal growls(..this is what Tiffany experiences), and noises. Kevin and Tiffany often see people, but McNamara never establishes human features, just shadowy figures never quite in frame. I think this is an ambitious film for McNamara, who seems interested in scaring you, but I found it rather average, to be honest. The leads spend most of the screen time constantly moving. A problem, I think, that ails this movie is the limited time we have with Kevin and Tiffany before their terror, before they come apart at the seams. Practically the entire running time, besides those scenes outside the godforsaken woods, has the two in some state of psychological duress. If you like Lifetime thrillers, you might enjoy this one. The attempt at a twist at the end I thought fell flat and wasn't needed really. The dreaded snow plow only factors in one major scene as it "chases after" Kevin.
I thought about this old drug warning commercial as I watched this film.
Veteran television actor, Brian McNamara, goes behind the camera for this chiller, which(..without profanity)would be perfect fodder for Lifetime Movie Network. It feels, looks, and sounds like material that will wind up on such a channel as it is a very "television movie" type of film. Dead of Winter concerns a young college couple planning to move into an apartment together, heading there after a New Years Party where a joker both know, slips LSD in their drink(..they also snort some junk cut by a razor). Both begin to see hallucinogenic images and hear imaginary voices, which could result in tragedy as Kevin and Tiffany leave their SUV after believing they had crashed it in the woods(..brought on by Kevin who thinks he saw a man in the back seat), getting lost, looking for his apartment. Before going off the deep end entirely, they contact emergency dispatch at the sheriff's office, asking for help, complaining of being lost. So as Kevin and Tiffany run around in the woods, and through abandoned buildings, seeing and hearing things that aren't there, the sheriff, Carl Nasland(Brian McNamara), his emergency dispatch telephone operator, Nancy Caulderbank(Ella Joyce), and deputy Dani Moriarty(Lindsay Thompson)attempt to find them. The key to what ails those trying to find their whereabouts is the fact that Kevin and Tiffany are so out-of-sorts any chance of reaching their cell phone signal is ruined because they keep hanging up. Al Santos, as Kevin, summons Jack Torrence, in a rather embarrassing performance. He devolves into a psychotic, while Tiffany herself loses grip on reality. The peril soon shifts from Tiffany, it seems, to Dani, who, despite Carl's warnings to wait until she has back-up, goes in after the kids, claiming that she knows the woods quite well. Sandra McCoy, as Tiffany, is for much of time, with Kevin, a nervous, indecisive young woman who seems to want to please him, despite reservations..we see early on that there are "faults" in Kevin's character, how he leads her into a party she's uncomfortable with, eventually partaking in smack and drink(..one shot really, but it is enough).
Director McNamara employs various methods to explain just how messed up our leads are, with images distorted and misshapen, loud score, and heavily using sound effects, such as voices whispering(..in Kevin's case, he answers the cell phone and hears Tiffany's voice when it's Nancy on the other end of the line), animal growls(..this is what Tiffany experiences), and noises. Kevin and Tiffany often see people, but McNamara never establishes human features, just shadowy figures never quite in frame. I think this is an ambitious film for McNamara, who seems interested in scaring you, but I found it rather average, to be honest. The leads spend most of the screen time constantly moving. A problem, I think, that ails this movie is the limited time we have with Kevin and Tiffany before their terror, before they come apart at the seams. Practically the entire running time, besides those scenes outside the godforsaken woods, has the two in some state of psychological duress. If you like Lifetime thrillers, you might enjoy this one. The attempt at a twist at the end I thought fell flat and wasn't needed really. The dreaded snow plow only factors in one major scene as it "chases after" Kevin.