Scott Prendergast emerges as a talented writer, director and actor. The basic premise of 'Kabluey' may sound familiar but this non-glamorous, non-polished and subtle film stays true to life. Prendergast includes themes like the war in Iraq (and its effect on their spouse and children) and corporates ripping off the common population in the story but it is all understated and part of the main story rather than a subplot.
Even the performances are understated. Prendergast is impressive as the penniless goofy black or blue sheep of the family who tries to be of some use to his sister-in-law. Lisa Kudrow is sublime proving once again that she can take any role and breathe life into it. Skillfully downplayed, in the beginning her character is not very likable but one does sense Leslie's pain and despair and gradually sympathize with her as Kudrow peels the layers exposing the depth of this working mother. Jeffrey Dean Morgan is pretty good as 'one of the corporates'. While the rest of the very talented cast: Chris Parnell, Teri Garr, Conchata Farrell and Christine Taylor, do a terrific job.
The camera is used very efficiently. There is a particular long shot which takes place when Kudrow walks out of the motel that is of note. The locations are also wonderfully captured and it is interesting to see how Leslie's quiet neighborhood contrasts with the grasslands next to the highway. You don't see many people in either place. Both feel cold and 'unlived' in. Then you see Leslie's house which is at times cluttered and at times tidy but never does it feel like 'a home' because it doesn't look like it's being taken care of.
It is the treatment Prendergast gives to 'Kabluey' that makes it such an original, refreshing, funny but also uplifting film. Some of the funniest scenes are the ones with Salman and the kids and with kabluey. Perhaps the funniest one being the one where the blue kabluey and cheesegirl team up. In addition, I really liked the unconventional soundtrack and the little animated feature that appears during the end credit.
Prendergast has created a little gem and 'Kabluey' has been a delight to watch. I intend to revisit this one again.
Even the performances are understated. Prendergast is impressive as the penniless goofy black or blue sheep of the family who tries to be of some use to his sister-in-law. Lisa Kudrow is sublime proving once again that she can take any role and breathe life into it. Skillfully downplayed, in the beginning her character is not very likable but one does sense Leslie's pain and despair and gradually sympathize with her as Kudrow peels the layers exposing the depth of this working mother. Jeffrey Dean Morgan is pretty good as 'one of the corporates'. While the rest of the very talented cast: Chris Parnell, Teri Garr, Conchata Farrell and Christine Taylor, do a terrific job.
The camera is used very efficiently. There is a particular long shot which takes place when Kudrow walks out of the motel that is of note. The locations are also wonderfully captured and it is interesting to see how Leslie's quiet neighborhood contrasts with the grasslands next to the highway. You don't see many people in either place. Both feel cold and 'unlived' in. Then you see Leslie's house which is at times cluttered and at times tidy but never does it feel like 'a home' because it doesn't look like it's being taken care of.
It is the treatment Prendergast gives to 'Kabluey' that makes it such an original, refreshing, funny but also uplifting film. Some of the funniest scenes are the ones with Salman and the kids and with kabluey. Perhaps the funniest one being the one where the blue kabluey and cheesegirl team up. In addition, I really liked the unconventional soundtrack and the little animated feature that appears during the end credit.
Prendergast has created a little gem and 'Kabluey' has been a delight to watch. I intend to revisit this one again.