Many people have made the experience that they were staying in a foreign city and went out in the night for a drink into an inn only 10 or 15 minutes foot-distance remote from their hotel. And although they were not drunk and thought that they did memorize the way from the hotel to the inn, they did not find their way back again. Somebody to whom this happened in Vienna has told me that for his great luck he finally found a taxi that brought him back to the hotel. When he entered the taxi, the cab-driver laughed and said: Are you sure that you don't want to walk? It's just around the next corner. When they arrived there, the cab-driver showed him on a map that the man must have walked more or less in circles for about an hour - and every time turning into the false last street before the hotel, as if he had been magically attracted by "an evil force".
The colleague who told me this episode also described that from minute to minute his fear was increasing. Now, imagine he had been drunk. Then, it could have happened that he would not have been able to wave a cab towards him, as busy as Vienna is during the night. He might have ended up on a parking-bench, or even worse in the Vienna-river or in a Danube canal. Orientation means the semiotic mechanism to move our body safely through a labyrinth of contradictory information which has first to be deciphered in order to serve to reach the goal of our movements. If this semiotic mechanism collapses, which means that the signs cannot be deciphered anymore, we are not only lost in the outer, but also in our inner world.
"Lost Signal" (2007) shows this complete loss of information step by step, caused by LSD or a related drogue which seems to paralyze practically wholly the capacity of orientation of the two protagonists. Their own visual perception starts to create monsters, the words heard at the cell phone have completely changed their meaning and sense. When orientation is gone, the human is no longer a semiotic being, because with the orientation he has lost its environment. Therefore, he becomes his own environment, projecting demons created by his brain into the vacuum of where the environment used to be. Although I cannot judge if the world of appearances caused by LSD is correctly depicted, I can tell that the movie does a magnificent job. This movie did not go out of my head (as many thematically related films did), it has this "mystical" glue that sticks to your brain.
The colleague who told me this episode also described that from minute to minute his fear was increasing. Now, imagine he had been drunk. Then, it could have happened that he would not have been able to wave a cab towards him, as busy as Vienna is during the night. He might have ended up on a parking-bench, or even worse in the Vienna-river or in a Danube canal. Orientation means the semiotic mechanism to move our body safely through a labyrinth of contradictory information which has first to be deciphered in order to serve to reach the goal of our movements. If this semiotic mechanism collapses, which means that the signs cannot be deciphered anymore, we are not only lost in the outer, but also in our inner world.
"Lost Signal" (2007) shows this complete loss of information step by step, caused by LSD or a related drogue which seems to paralyze practically wholly the capacity of orientation of the two protagonists. Their own visual perception starts to create monsters, the words heard at the cell phone have completely changed their meaning and sense. When orientation is gone, the human is no longer a semiotic being, because with the orientation he has lost its environment. Therefore, he becomes his own environment, projecting demons created by his brain into the vacuum of where the environment used to be. Although I cannot judge if the world of appearances caused by LSD is correctly depicted, I can tell that the movie does a magnificent job. This movie did not go out of my head (as many thematically related films did), it has this "mystical" glue that sticks to your brain.