STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
There seems to be a Breach of the Trade Descriptions Act going on with a lot of these straight to video action films, where the cover gives the wrong impression of what sort of movie it's going to be and even puts a lead star on the front cover that doesn't actually have that much screen time. Vinnie Jones does end up getting a bit more coverage than it first looks like he will, but he's still missing for quite a bit of it and certainly doesn't feel like the main player in it all. And while it looks from the cover like another one of his straight to DVD action films, it's actually more of a messy, jumbled horror/comedy sort of film that goes to both extremes with each genre.
Actually, this is Jones's second collaboration with, and the second feature film of director Brendan Foley, following his equally disastrous debut The Riddle, where Jones was also the lead. But here everything's really lumpen, with truly cheap looking production values, an incomprehensible, incoherent plot and Jones doing his usual silent, grumpy hard man act with some really flat dialogue to chew off. All this and a big, ogre some killer going around bumping everyone off.
I'm really not sure what anyone was trying to get at with this one. Jones should try and get back in theatres and Foley should think about packing it in. *
There seems to be a Breach of the Trade Descriptions Act going on with a lot of these straight to video action films, where the cover gives the wrong impression of what sort of movie it's going to be and even puts a lead star on the front cover that doesn't actually have that much screen time. Vinnie Jones does end up getting a bit more coverage than it first looks like he will, but he's still missing for quite a bit of it and certainly doesn't feel like the main player in it all. And while it looks from the cover like another one of his straight to DVD action films, it's actually more of a messy, jumbled horror/comedy sort of film that goes to both extremes with each genre.
Actually, this is Jones's second collaboration with, and the second feature film of director Brendan Foley, following his equally disastrous debut The Riddle, where Jones was also the lead. But here everything's really lumpen, with truly cheap looking production values, an incomprehensible, incoherent plot and Jones doing his usual silent, grumpy hard man act with some really flat dialogue to chew off. All this and a big, ogre some killer going around bumping everyone off.
I'm really not sure what anyone was trying to get at with this one. Jones should try and get back in theatres and Foley should think about packing it in. *