And neither is the beginning or the middle as the story of Robin Hood gets the AT SWORDS' POINT treatment, with a bunch of little-known actors -- except for George Couloris, David Farrar and Marius Goring -- under the direction of George Sherman, who spent most of his career, properly, directing B westerns.
June Laverick, a pretty young blonde, plays the daughter of Robin Hood, who spends most of her time hiding behind David 'Al' Hedison, who pretends to be her -- him -- that is, Robin Hood's son, leading Robin's old and graying Merry Men. The whole thing is directed with little of the silliness that attended AT SWORDS' POINT, but the whole thing is handsomely shot in wide screen. Unhappily, the prints were definitely not Technicolor, but have aged poorly, casting a gloomy and pink sheen over the entire proceedings. The score is also a nice variation on Korngold's score for the Errol Flynn version. You can skip this one.
June Laverick, a pretty young blonde, plays the daughter of Robin Hood, who spends most of her time hiding behind David 'Al' Hedison, who pretends to be her -- him -- that is, Robin Hood's son, leading Robin's old and graying Merry Men. The whole thing is directed with little of the silliness that attended AT SWORDS' POINT, but the whole thing is handsomely shot in wide screen. Unhappily, the prints were definitely not Technicolor, but have aged poorly, casting a gloomy and pink sheen over the entire proceedings. The score is also a nice variation on Korngold's score for the Errol Flynn version. You can skip this one.