9/10
The first version that makes sense--and tells the truth
3 August 2009
Warning: Spoilers
The perfect supplement to the melodramatic soap-operatic March version of 1932, that polluted so many later versions. It's the first to satisfactorily solve the two main difficulties: the make-up and the motive. The big problem is how to make Hyde look sufficiently different from Jekyll without turning him into something that in a real world would be caged in a zoo. The Tracy version is the one extreme--the fact no one recognizes Hyde as Jekyll after a 3-day bender is absurd. The March is the other, especially toward the end when Hyde becomes positively simian (and March has all but given up trying to enunciate around those godawful teeth). This version solves the problem neatly, by casting an actor (Jack Palance) who starts out looking more like Hyde than Jekyll. In fact Dan Curtis has said they used almost as much make-up to soften Palance's appearance for Jekyll as they did to turn him into Hyde. As to motive: this version cuts out the romance that in earlier versions provided the impetus for Jekyll drinking the potion, and substitutes a motive that even Stevenson didn't have the courage to recognize. As Devlin sums it up at the end: "Hyde was just a chemical concoction. The real monster was Jekyll."
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