I love this movie and I loved it when I first saw it come out back in 1978. It has dated well and I am amazed - astounded if you will - by the lack of love a film like this has received on here. Sure it has mostly good reviews, but it(at this point in time) has only 10 reviews. 10? TEN! That is all a film like this with an incredibly witty script, a couple A-listers like George Segal and beautiful Jacqueline Bisset, a catchy musical score by Henry Mancini, artful comedic direction by Ted Kotcheff, and a Tour-De-Force performance by Robert Morley - alone reason enough to see this film. All the previous reasons I listed make this film a whole lot of fun. Kotcheff has skills and creates a solid mystery amidst some pretty funny situations and even more importantly really witty dialog. There are a couple of scenes(okay, the food fight scene near the beginning of the film) that are a little too over-the-top, but how about the zippy repartee between Segal and Bisset(did I mention how absolutely gorgeous she is?) What about the wonderful character acting by the likes of Jean-Pierre Cassel and one of the dead chefs or that of Phillipe Noiret or Madge Ryan or Jean Rochefort or even some small character parts like those played by Gigi Proietti as an Italia detective, Frank Windsor as an irritable Scotland Yard inspector, Peter Sallis and an irritable French chef, Joss Ackland as a snooty chef working for the queen, or John Le Mesurier as a doctor to Max, the obese, gluttonous, selfish gourmand whose magazine published an article about the world's most fabulous meal. This meal and its quartet of chefs become targets for a killer out to kill the great chefs of Europe in the style of their own expertise. We get a cook simmered like his pigeons and one having his crushed in a duck press just as examples. The mystery part created by Ivan and Nan Lyons is wonderfully weaved and wonderfully written for this film and its great performances are all pulled together by the wit it generates. And most of that wit is carried on the gargantuan shoulders of Robert Morley as max who utters lines with perfection. I can watch this film again and again if for no other reason than to see/hear Morley's performance. He is that good. I believe this was an Oscar-worthy performance. Every line is a verbal thrust and parry for his razor-sharp tongue line with acid. Morley is a treat to see as he makes himself even more huge in a larger -than-life role as Max. Just listen to that speech he gives in the doctor's office about every fold of his fat being a brush-stroke and every chin a concerto. Wow! Who Is Killing the Great Chefs of Europe? is a fun, exciting film mixing comedy with class.
