This is the first of the two melodramas Detlef Sierck made with Zarah Leander,and although it is more celebrated and more popular,I think that its screenplay is definitely weaker than that of "Zu Neue Ufern" aka "Paramatta" or even the overlooked " Stutzen Der Gesellschaft" (1935) which predates many of Sierck's topics which will be developed in "all that Heaven allows" notably.But the directing is more inventive in "Habanera".
It's strange that both "Habanera" and "zu Neue Ufern" are "exotic" works ,both taking place in South America;but while in the latter ,Europa (England that is) is considered a country where prudery (this scandalous show!)and cruelty (the heroine is sentenced to hard labor for 600 miserable pounds)rule,it plays an opposite role in the former:Sweden is some kind of Eldorado -one should note that Detlef Sierck is Danish and his star is Swedish- where civilization reigns and where science and medicine allow their citizens to live in freedom and happiness.The heroine's new hot land is the country of crooked physicians ,of corrupt cops ,of evil.
Detlef Sierck's directing is the best of the four German movies I've seen by him.He creates a stifling atmosphere with his dark rooms ,without showing any sun,where the shadows of the blinds reflect on the heroine and give the viewer the strange feeling she is in jail.The only freshness he gets is provided by a sequence in Sweden and,oddly,when the heroine tells her son about her country .
Zarah Leander sings ,but nothing here approaches her sensational "yes sir ,no sir" in the music hall in "Zu Neue Ufern" .But her rendition of "la Habanera" has a great emotional power ,because her former love is listening to her .
To those who would think that Sirk was embracing Nazi ideology: 1)He left Germany after "zu neuen Ufern" the same year. 2)His first American movie "Hitler's madman" was a strong anti-Nazi manifesto,actually propaganda 3)He made " a time to love and a time to die" in 1958,from E.M.Remarque,the pacifist writer whose books were burned by the Nazis;it tells the story of a German soldier who died in WW2;exactly what happened to Sirk's own son.
It's strange that both "Habanera" and "zu Neue Ufern" are "exotic" works ,both taking place in South America;but while in the latter ,Europa (England that is) is considered a country where prudery (this scandalous show!)and cruelty (the heroine is sentenced to hard labor for 600 miserable pounds)rule,it plays an opposite role in the former:Sweden is some kind of Eldorado -one should note that Detlef Sierck is Danish and his star is Swedish- where civilization reigns and where science and medicine allow their citizens to live in freedom and happiness.The heroine's new hot land is the country of crooked physicians ,of corrupt cops ,of evil.
Detlef Sierck's directing is the best of the four German movies I've seen by him.He creates a stifling atmosphere with his dark rooms ,without showing any sun,where the shadows of the blinds reflect on the heroine and give the viewer the strange feeling she is in jail.The only freshness he gets is provided by a sequence in Sweden and,oddly,when the heroine tells her son about her country .
Zarah Leander sings ,but nothing here approaches her sensational "yes sir ,no sir" in the music hall in "Zu Neue Ufern" .But her rendition of "la Habanera" has a great emotional power ,because her former love is listening to her .
To those who would think that Sirk was embracing Nazi ideology: 1)He left Germany after "zu neuen Ufern" the same year. 2)His first American movie "Hitler's madman" was a strong anti-Nazi manifesto,actually propaganda 3)He made " a time to love and a time to die" in 1958,from E.M.Remarque,the pacifist writer whose books were burned by the Nazis;it tells the story of a German soldier who died in WW2;exactly what happened to Sirk's own son.