The Sicilian (1987)
3/10
Cimino does "epic" again - with predictably awful results
9 February 2009
Cimno obviously hadn't learned from "Heaven's Gate", which isn't the disaster it's made out to be, just too long and too caught up in its subplots. "The Sicilian" copies the mistakes, but this time around it doesn't even have the beauty or breath of "Heaven's Gate". Nor its good actors. Christopher Lambert is a disaster in the title role. He tries to get by on his good looks and roguish twinkle in the eye, but his charisma is non-existent and it's hard to believe him as a folk hero who can move the masses. Helena Sukova is also a disappointment. Terrence Stamp's performance is hard to measure fairly, due to a poor dubbing job inflicted on him in post production. Only John Torturro as his usual nervous self is worth the money, as is Joss Ackland as the don of dons in Sicily.

Apart from the acting problems, this film is also spectacularly dull. Cimino stretches a repetitious, drawn-out story over almost two and a half hours, when 90 minutes and some judicious editing would have served him better here. Because things shuffle on at a snail's pace and many scenes seem completely superfluous (also known as the "Heaven's Gate" syndrome), the viewer quickly loses interest. Which in turn is a problem with this densely plotted and at times confusing film. There are so many betrayals, broken deals and secret alliances, that at some point the viewer is bound to be confused, especially if he's trying to keep up interest in a movie that doesn't deserve it. Seriously, give "Heaven's Gate" a try instead of this. You might lose an additional hour of your life, but you'll be awarded with a flawed epic instead of this epic failure.
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