They fought For Their Motherland is a screen adoption of the prize winning novel by Mikhail Sholokhovis and is directed by proclaimed Russian director Sergi Bondarchuk. It was nominated for the prestigious palme d'Or at Cannes film festival in 1975; which illustrate how powerful the film is. Approval for the film adoption of the Great Patriotic War came from the Russian Ministry of Defence via the Russian cinema council.
The film concentrates on a small number of individual regimental soldiers fighting within a larger battalion on the Russian Steppes in 1942. We are shown not noble soldiers and distinguished officers of the "glorious" Red Army, but ordinary fighting men. They are hungry, dirty, mentally and physically drained. Also, they are exhausted by their continuous 12 months retreat eastwards towards the river Donn and eventually Stalingrad. The soldiers find harmony in talking about home, family and express their emotions and feeling on the war and what it as done to them as people and their motherland. Location is presented impressively on film; firstly, by using wide angel lenses to capture the vast midst of the Steppe salt marches and corn fields. Secondly, by using close angel lenses to photograph the soldiers as they pass through, rest and interact with nervous civilians in the inhabited dwellings. With a large budget comes large battle scenes. The film shows the merciless destruction of land and villages by Luftwaffe air strikes. Defensive formations containing a whole battalion which is broad in scale and includes large battle formation shoots. The film doesn't over exaggerate when handling the destruction, human cost and horror of battle in its scenes.
The main depiction of war, battle and destruction are powerfully focused on individual soldiers. This film tells a similar story for many veteran soldiers of the second world war, whatever the nationality. Boredom, fatigue, fear, fun, friendship, enemies, orders, pain, loss, distress, death and a longing to go home.
They Fought For Their Motherland" tours the inferno imposed upon the soviet people, both military and civilian, on one side by the advancing, all concurring, disciplined German army. And on the other by years of hardship, personal sacrifice, poverty and living to the ideologist view of the soviet dictatorship. This is not the most graphic of war films in todays standard of brutal, realistic, fast passed combat movies. There are scenes of battle sustained injuries and death. However, this film focuses the humanity of war and what it does to the land, and the opinions of people in occupied nations towards the soldiers who are there to protect them. This is a patriotic film from a Russian point of view, which for many years, as at the time of release, future Russian generations, and other nations that fought in the red army, should look back with pride and honour towards those who fought, and died, for their motherland.
The film concentrates on a small number of individual regimental soldiers fighting within a larger battalion on the Russian Steppes in 1942. We are shown not noble soldiers and distinguished officers of the "glorious" Red Army, but ordinary fighting men. They are hungry, dirty, mentally and physically drained. Also, they are exhausted by their continuous 12 months retreat eastwards towards the river Donn and eventually Stalingrad. The soldiers find harmony in talking about home, family and express their emotions and feeling on the war and what it as done to them as people and their motherland. Location is presented impressively on film; firstly, by using wide angel lenses to capture the vast midst of the Steppe salt marches and corn fields. Secondly, by using close angel lenses to photograph the soldiers as they pass through, rest and interact with nervous civilians in the inhabited dwellings. With a large budget comes large battle scenes. The film shows the merciless destruction of land and villages by Luftwaffe air strikes. Defensive formations containing a whole battalion which is broad in scale and includes large battle formation shoots. The film doesn't over exaggerate when handling the destruction, human cost and horror of battle in its scenes.
The main depiction of war, battle and destruction are powerfully focused on individual soldiers. This film tells a similar story for many veteran soldiers of the second world war, whatever the nationality. Boredom, fatigue, fear, fun, friendship, enemies, orders, pain, loss, distress, death and a longing to go home.
They Fought For Their Motherland" tours the inferno imposed upon the soviet people, both military and civilian, on one side by the advancing, all concurring, disciplined German army. And on the other by years of hardship, personal sacrifice, poverty and living to the ideologist view of the soviet dictatorship. This is not the most graphic of war films in todays standard of brutal, realistic, fast passed combat movies. There are scenes of battle sustained injuries and death. However, this film focuses the humanity of war and what it does to the land, and the opinions of people in occupied nations towards the soldiers who are there to protect them. This is a patriotic film from a Russian point of view, which for many years, as at the time of release, future Russian generations, and other nations that fought in the red army, should look back with pride and honour towards those who fought, and died, for their motherland.