7/10
THE HIGH BRIGHT SUN (Ralph Thomas, 1964) ***
14 January 2009
Though glossy and peopled with stars (Dirk Bogarde, Susan Strasberg and George Chakiris), this is a surprisingly compelling – if obviously biased – film about the 1950s British 'invasion' of Cyprus. Truth be told, the first half is pretty much run-of-the-mill stuff, but the latter stages – involving the various assassination attempts on Strasberg's life (a naturalized American local who, having accidentally stumbled upon a secret meeting at which the leaders of the Resistance were present, is feared to have revealed all to enemy official Bogarde, whom she has befriended and subsequently romances) – generate considerable suspense and excitement. The first plot has her being ambushed in the countryside, though the son of the eminent doctor (an old family friend) she was lodging with alerts her to this and even defends her with his life; later, she and Bogarde are besieged inside his flat; finally, the impulsive Chakiris opts to deal with the matter personally and boards the plane which is supposed to take the heroine to safety in Athens (where, however, both the flamboyant Denholm Elliott and the enigmatic George Pastell vigil over her). While Bogarde isn't particularly taxed by his stiff-upper-lipped serviceman role, Strasberg comes off quite well as the confused but resilient girl – the unwitting pawn of a dangerous political game. Also notable is the unusual score, at once exotic and moody, curiously supplied by an Italian (Angelo Francesco Lavagnino).
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