7/10
THE THIEF AND THE COBBLER {Reconstruction} (Richard Williams, 1968/1995) ***
30 December 2008
Famously ill-fated animated feature by the renowned Richard Williams, which remains uncompleted despite his having worked on it for almost 30 years!; the film was eventually released in two bastardized versions under the titles of THE PRINCESS AND THE COBBLER (1993) and ARABIAN KNIGHT, while bootlegs – actually a workprint – closer to Williams' original vision have also surfaced (which is the edition I acquired).

It's a typical Arabian Nights fantasy and it's no secret that the Disney Studios 'borrowed' some of its ideas for their hugely successful ALADDIN (1992). Of course, we have a hero (the Cobbler), a heroine (the Princess), a comic-relief sidekick (the Thief) and a villain (the Grand Vizier); the latter is recognizably voiced by the late great Vincent Price (running the whole gamut of emotions in the process), while one of the more interesting aspects of the film is that the titular figures are given no dialogue (except for one silly line by the Cobbler at the very end). Both also have other weird characteristics: the Cobbler's mouth is shaped like two nails set side by side with their points meeting, while the Thief is constantly being followed by a swarm of buzzing flies!

The plot basically revolves around three golden balls atop the King's (shouldn't that be Caliph?!) palace which, if removed, would bring disaster upon the land – and, sure enough, the Thief is after them. Needless to say, the Grand Vizier called Zig-Zag (with faithful vulture companion Phido in tow) not only craves power for himself but the Princess' hand, too, and he secretly connives with a warring people intent on conquering Arabia to this end. As expected, the visual design is extremely colorful and amazingly detailed (especially effective is Williams' clever use of perspective) – though it's hardly rendered justice by the fuzzy quality of the copy under review (to check out the film as mangled by other hands is clearly out of the question for me).

At 96 minutes, THE THIEF AND THE COBBLER – with its slight plot and even thinner characters – does tend to drag a bit (especially during the climax and the Thief's protracted hair-raising stunts to survive a conflagration), but the latter's amiable antics throughout and Price's agreeably hammy rendition more than make up for any such deficiencies. For the record, many other notable actors were roped in for the project over the years – with sometimes more than one person being engaged for the same role (the King, for instance, was voiced by both Anthony Quayle and Clive Revill and the narrator was either Felix Aylmer or Ralph Richardson)!
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