As a casual viewer with a cursory knowledge of Rand and her movement, this film, shown through the eyes of someone who had good reason to bear Rand some resentment, was enlightening about Rand and her background, her circle, and to a lesser degree, her movement and philosophy. It's very worth seeing for those things, as well as the excellent performances of all concerned.
I fault the Director for not aging the characters over the 15-17-yr. span, especially the pivotal role of Branden. By the time Branden takes a young student as his lover, he was old enough to be her father, just as Rand was old enough to be his mother when their affair commenced. Not even his weight, attire, or hair were modified, much less his baby face, to show how the passage of time would've affected who he did and didn't find appealing as a lover and life partner by the time he was 40'ish and Rand 60-65.
Rand's pain and fury over losing his love and sex and being dumped for a girl young enough to be her grandchild apparently sealed his fate in the Movement, so failing to age the characters was a key error in an otherwise well-done film.
Rand had the spirit and confidence to go after a man half her age, and the magnetism to land and hold him. Women past 40 are normally confined to older men, and much older, the older the woman becomes. Refreshing. Rand was shown to find the sexual affair intensely pleasant and intellectually freeing, as creative men do. In fact, Rand acted the traditional male role throughout the film, her husband the female role. Also refreshing.
The conscious attempts by all Movement characters to make their actions conform to their belief system was one of the things that consistently elevated this film above a simple adultery drama. Hence, Rand and Branden sought their spouses' consent for their affair, even if they underestimated its duration by a factor of 15 years. Branden and Barbara married as a heroic act despite lack of personal 'fit', etc.
Only Branden seemed to be consistently weak and therefore prone to violating Movement principles via lies and obfuscation, and even he proved to be capable of emotional growth by the end. An interesting and enlightening film with superb performances.
I fault the Director for not aging the characters over the 15-17-yr. span, especially the pivotal role of Branden. By the time Branden takes a young student as his lover, he was old enough to be her father, just as Rand was old enough to be his mother when their affair commenced. Not even his weight, attire, or hair were modified, much less his baby face, to show how the passage of time would've affected who he did and didn't find appealing as a lover and life partner by the time he was 40'ish and Rand 60-65.
Rand's pain and fury over losing his love and sex and being dumped for a girl young enough to be her grandchild apparently sealed his fate in the Movement, so failing to age the characters was a key error in an otherwise well-done film.
Rand had the spirit and confidence to go after a man half her age, and the magnetism to land and hold him. Women past 40 are normally confined to older men, and much older, the older the woman becomes. Refreshing. Rand was shown to find the sexual affair intensely pleasant and intellectually freeing, as creative men do. In fact, Rand acted the traditional male role throughout the film, her husband the female role. Also refreshing.
The conscious attempts by all Movement characters to make their actions conform to their belief system was one of the things that consistently elevated this film above a simple adultery drama. Hence, Rand and Branden sought their spouses' consent for their affair, even if they underestimated its duration by a factor of 15 years. Branden and Barbara married as a heroic act despite lack of personal 'fit', etc.
Only Branden seemed to be consistently weak and therefore prone to violating Movement principles via lies and obfuscation, and even he proved to be capable of emotional growth by the end. An interesting and enlightening film with superb performances.