Its interesting that Christian Bale's most critically acclaimed role, in this very movie, is as a cold, psychotic and shallow yuppie. He excels by playing a character who openly admits that his only identifiable emotions are 'greed' and 'disgust'.
Firstly, this film should not be misinterpreted as a horror movie. Those who have read the Brett Easton Ellis novel will already be aware of this. It is more a satire, or a harsh and uncompromising commentary on the material excess of Wall Street, or indeed America as a whole (hence the title), during the mid-to-late 80's. It works on both these levels and many more.
The film starts as it means to continue. Bale's character, Patrick Bateman, introduces himself, and, as in the novel, goes into absurd detail regarding his washing habits and exercise regimes. For the next hour and a half, the audience is invited into his world. A world in which vanity itself, it seems, is everything. His life is composed almost entirely of expensive meals out with his high-flying friends & disillusioned girlfriend(played adequately by Reese Witherspoon), and various random, sadistic acts of violence and mutilation.
Despite all Batemans' wealth, he is emotionally bankrupt. Love and relationships are as disposable as the world he lives in. For the entire film, Bale relishes the role and never lets it slip, talking as if he's in some warped commercial for a shallow and completely hedonistic eighties lifestyle. A lifestyle which leads nowhere. Bateman's character is also loaded with contradictions and hypocrisy. In one of the opening scenes, he wastes no time describing how he believes 'in taking care of himself', but days later will be snorting cocaine in a public toilet. Later, he describes how 'we need to provide food and shelter for the homeless', which is delivered as a speech to seemingly promote Bateman's morality in front of his peers. Shortly afterwards, he stabs a tramp to death in an alleyway. This speech acts as an omen or as a warning to crimes he will commit, or will imagine committing later in the film. His references to women in particular, soon become disturbingly ironic.
Authenticity is added to the movie in the form of music and reference to the AIDS epidemic, which was just starting to take hold of the American consciousness. Bateman's highly unstable and vacuous state of mind is relayed through several brilliant quotes and scenes in the movie.
One example is the scene in which he examines his colleagues business cards in depth, and becomes so obsessed and frustrated by the minor differences in colour and font that his hand visibly shakes. Upon seeing Paul Allen's card he whispers to himself in genuine horror; 'oh my god...it even has a watermark.' In Bateman's world, this could well be interpreted as the reasoning behind him murdering Allen later in the film.
Much of the movie is left open to interpretation by the viewer, and it should definitely be watched several times. Its often hard to draw the line between reality and Bateman's own fantasies. Indeed many, if not all, of his murderous acts, could be simply figments of his own twisted imagination. The character Donald Kimble could indeed be an illusion. He interviews Bateman several times in the movie, at times appearing oblivious to the possibility of Bateman murdering Allen, and then later effectively accusing him of it.
What the film really illustrates, much like the book, is a culture and an entire way-of-life, taken too a brutal, disturbed, and even demented extreme. It is a fusion of America's most beautiful dream, and its most hideous, blood-soaked nightmare. Money is no longer a barrier for Bateman. He can have all the women, sex, narcotics, technology and expensive meals he will ever desire. There is nothing left for him or his friends to aspire too. When every line has been crossed on a daily basis, he can only find satisfaction in the most depraved and barbaric of acts, and in the end, even this isn't enough.
While the book is considerably more graphic and detailed, I would have to say I prefer the film. All the important and relevant aspects of Bateman's life and psyche are featured and Bale's performance elevates it to true 'cult classic' status. His portrayal of Bateman creates, in my opinion, one of the most vivid, cruel, iconic and unforgettable characters in the history of film.
Firstly, this film should not be misinterpreted as a horror movie. Those who have read the Brett Easton Ellis novel will already be aware of this. It is more a satire, or a harsh and uncompromising commentary on the material excess of Wall Street, or indeed America as a whole (hence the title), during the mid-to-late 80's. It works on both these levels and many more.
The film starts as it means to continue. Bale's character, Patrick Bateman, introduces himself, and, as in the novel, goes into absurd detail regarding his washing habits and exercise regimes. For the next hour and a half, the audience is invited into his world. A world in which vanity itself, it seems, is everything. His life is composed almost entirely of expensive meals out with his high-flying friends & disillusioned girlfriend(played adequately by Reese Witherspoon), and various random, sadistic acts of violence and mutilation.
Despite all Batemans' wealth, he is emotionally bankrupt. Love and relationships are as disposable as the world he lives in. For the entire film, Bale relishes the role and never lets it slip, talking as if he's in some warped commercial for a shallow and completely hedonistic eighties lifestyle. A lifestyle which leads nowhere. Bateman's character is also loaded with contradictions and hypocrisy. In one of the opening scenes, he wastes no time describing how he believes 'in taking care of himself', but days later will be snorting cocaine in a public toilet. Later, he describes how 'we need to provide food and shelter for the homeless', which is delivered as a speech to seemingly promote Bateman's morality in front of his peers. Shortly afterwards, he stabs a tramp to death in an alleyway. This speech acts as an omen or as a warning to crimes he will commit, or will imagine committing later in the film. His references to women in particular, soon become disturbingly ironic.
Authenticity is added to the movie in the form of music and reference to the AIDS epidemic, which was just starting to take hold of the American consciousness. Bateman's highly unstable and vacuous state of mind is relayed through several brilliant quotes and scenes in the movie.
One example is the scene in which he examines his colleagues business cards in depth, and becomes so obsessed and frustrated by the minor differences in colour and font that his hand visibly shakes. Upon seeing Paul Allen's card he whispers to himself in genuine horror; 'oh my god...it even has a watermark.' In Bateman's world, this could well be interpreted as the reasoning behind him murdering Allen later in the film.
Much of the movie is left open to interpretation by the viewer, and it should definitely be watched several times. Its often hard to draw the line between reality and Bateman's own fantasies. Indeed many, if not all, of his murderous acts, could be simply figments of his own twisted imagination. The character Donald Kimble could indeed be an illusion. He interviews Bateman several times in the movie, at times appearing oblivious to the possibility of Bateman murdering Allen, and then later effectively accusing him of it.
What the film really illustrates, much like the book, is a culture and an entire way-of-life, taken too a brutal, disturbed, and even demented extreme. It is a fusion of America's most beautiful dream, and its most hideous, blood-soaked nightmare. Money is no longer a barrier for Bateman. He can have all the women, sex, narcotics, technology and expensive meals he will ever desire. There is nothing left for him or his friends to aspire too. When every line has been crossed on a daily basis, he can only find satisfaction in the most depraved and barbaric of acts, and in the end, even this isn't enough.
While the book is considerably more graphic and detailed, I would have to say I prefer the film. All the important and relevant aspects of Bateman's life and psyche are featured and Bale's performance elevates it to true 'cult classic' status. His portrayal of Bateman creates, in my opinion, one of the most vivid, cruel, iconic and unforgettable characters in the history of film.