This is a wonderful drama, originally a play but successfully transformed to cinema. By that I mean that the superb writing is supplemented by images which carry the load.
It is the story of four men who in college had a band called Cloaca. We encounter them 20 years later, each with problems we identify. This all rings true, so true and so closely written that I would probably like it even it were a filmed play.
That's because of the way it is constructed. Each of the men and all of the possible pairings by turns take the role of being outside the play, on the side of the viewer, commenting on the others. This fold is made explicit by two devices. One involves paintings from an artist whose passion is remarked upon and who clearly reflects on the pictures we see. This is one case where the structure is more apt for film than stage.
The other device is more visual (as we never see the paintings). One of the men is a playwright/director who is putting on a play that manipulates this notion of the chorus in the action. He is having sex with a girl in the play who has a central role in that play, and who also happens to be the daughter of one of the other men. Her role in the play is one of the most striking scenes in film: she is covered in some sort of mud and is hosed down to become nude. Its really quite beautiful, interspersed with shots of her disapproving father in the audience being struck by that beauty. Now this fold would have worked better in the stage production I suppose.
There's no question but that this is a guy movie, and proudly not silly. There is no compromise in the dramatic arc to land you in a happy ending. It seems true, and real, and a genuine voyage into what men actually deal with.
A subtle point: all of these men have noble moments but are all damaged in ways that allow them to damage. This is common. But this business about weaving the drama by having subgroups of two among the four take control, well I find that fascinating. Women simply do not do this in my experience, and never in film. Its a turbulent, shifting set of alliances based on direct relaxing of dominance to form partnerships, which then jointly dominate. The result is an essay on the nature of dominant control of the situation, heightened by the fact that we are there only to experience what they control.
A "cloaca" is a single orifice that serves sexual and all elimination needs.
Ted's Evaluation -- 3 of 3: Worth watching.
It is the story of four men who in college had a band called Cloaca. We encounter them 20 years later, each with problems we identify. This all rings true, so true and so closely written that I would probably like it even it were a filmed play.
That's because of the way it is constructed. Each of the men and all of the possible pairings by turns take the role of being outside the play, on the side of the viewer, commenting on the others. This fold is made explicit by two devices. One involves paintings from an artist whose passion is remarked upon and who clearly reflects on the pictures we see. This is one case where the structure is more apt for film than stage.
The other device is more visual (as we never see the paintings). One of the men is a playwright/director who is putting on a play that manipulates this notion of the chorus in the action. He is having sex with a girl in the play who has a central role in that play, and who also happens to be the daughter of one of the other men. Her role in the play is one of the most striking scenes in film: she is covered in some sort of mud and is hosed down to become nude. Its really quite beautiful, interspersed with shots of her disapproving father in the audience being struck by that beauty. Now this fold would have worked better in the stage production I suppose.
There's no question but that this is a guy movie, and proudly not silly. There is no compromise in the dramatic arc to land you in a happy ending. It seems true, and real, and a genuine voyage into what men actually deal with.
A subtle point: all of these men have noble moments but are all damaged in ways that allow them to damage. This is common. But this business about weaving the drama by having subgroups of two among the four take control, well I find that fascinating. Women simply do not do this in my experience, and never in film. Its a turbulent, shifting set of alliances based on direct relaxing of dominance to form partnerships, which then jointly dominate. The result is an essay on the nature of dominant control of the situation, heightened by the fact that we are there only to experience what they control.
A "cloaca" is a single orifice that serves sexual and all elimination needs.
Ted's Evaluation -- 3 of 3: Worth watching.