Christie Love's friends, enemies, and co-workers live in an alternate-reality world that attempts to depict Los Angeles in the early 1970's. Not the way it really was, but the way the scriptwriters wanted it to be. Along the way, expect Ms Love to blatantly flip off her boss and get away with it, for him to make advances to her when there's no apparent chemistry, and for her to behave like Superwoman "with emotions". One of the bad guys simply lets himself be flipped out an upper-story window. It doesn't matter that he weighs over twice what she does, if you look closely enough, he's actually helping her. What a guy! Did I say that almost everyone she knows in this movie dies? Ms. Graves also appears to be in a contest with everyone else to see who can be the worst actor. It's fun watching who's worse, it pays to actually have a scorecard. You can rank Harry Guardino first for the bad opening, and then keep notes from there.
This movie actually succeeds in points, despite itself. They put a bit of money into it, there are some good production values - I mean the now-vintage cars sometimes project better than the humans, but hey, the scale I'm using refers to television, not the cinema. You won't be crying with the actors as much as laughing at them, but you won't be turning this show off, either.
I had no trouble with the volume on my copy. But, at two DVD's for a dollar in my local supermarket, I don't feel ripped off either.
This movie actually succeeds in points, despite itself. They put a bit of money into it, there are some good production values - I mean the now-vintage cars sometimes project better than the humans, but hey, the scale I'm using refers to television, not the cinema. You won't be crying with the actors as much as laughing at them, but you won't be turning this show off, either.
I had no trouble with the volume on my copy. But, at two DVD's for a dollar in my local supermarket, I don't feel ripped off either.