A young woman (Maria Schneider)is lured to a babysitting gig in a remote mansion by her treacherous roommate (Sydney Rome). When her young charge wakes up though, she realizes that he's been kidnapped and that she's being used as an unwitting front in the kidnapping. This movie was directed by a respected French director, Rene Clement, and is in black and white for some reason. It is a rather ridiculous melodrama, however, that doesn't really live up to its arty pretensions. On the other hand, people drawn in by its exploitative English title, "Wanted: Babysitter" ( I only understand the "jeun fille" part of the French title, but it seems pretty exploitative too) were probably pretty disappointed at its relative lack of exploitative elements. It was probably mistaken by many for one of the "sexy babysitter" movies of the era (i.e. "The Babysitter", "Weekend with the Babysitter", "Jailbait Babysitter", ad infinitum), especially with the Maria "Last Tango in Paris' Schneider in the lead.
I actually kind of like movies like this though that fall in the no-man's land between art and exploitation. The absurd plot kind of reminded me of an Italian giallo (although it's slow and subtle in a French way rather than delirious and over-the-top in an Italian). Regrettably--nay, tragically--Schneider has no nude scenes, but she's still pretty good. This is actually the third best movie I've seen her in after "Last Tango" and "The Passenger" (. . .well, actually I've only seen her in those two other movies). Rome does have nude scenes, and, surprisingly, she too is pretty good (I found her sexy but incredibly annoying in Polanski's "What?" and just plain irritating in the Italian anthology "Sex with a Smile").
This is a pretty unusual movie which I wouldn't recommend to everybody, but if it sounds interesting to you . . .
I actually kind of like movies like this though that fall in the no-man's land between art and exploitation. The absurd plot kind of reminded me of an Italian giallo (although it's slow and subtle in a French way rather than delirious and over-the-top in an Italian). Regrettably--nay, tragically--Schneider has no nude scenes, but she's still pretty good. This is actually the third best movie I've seen her in after "Last Tango" and "The Passenger" (. . .well, actually I've only seen her in those two other movies). Rome does have nude scenes, and, surprisingly, she too is pretty good (I found her sexy but incredibly annoying in Polanski's "What?" and just plain irritating in the Italian anthology "Sex with a Smile").
This is a pretty unusual movie which I wouldn't recommend to everybody, but if it sounds interesting to you . . .