In the late 1980's, an inexperienced young woman named Yu Hong leaves her hometown and boyfriend in the provinces to attend Beijing University. Almost immediately, she falls into a passionate love/hate relationship with a fellow student at the school. This torrid affair plays out partly against the backdrop of the student protests and subsequent massacre that occurred in Tiananmen Square in the spring of 1989. (The movie also takes place briefly in Germany, the other part of the world where significant social change was occurring in 1989).
"Summer Palace" plays almost like the autopsy of a romantic obsession, attempting to get at the root of why we love in the way that we do. A novice at true love, Yu Hong understands neither her undying passion for Zhou Wei nor her seemingly incessant need to keep sabotaging their relationship. The closest she can come to grasping this paradox is when she says to Zhou Wei: "I want to break up because I can't leave you." Love is seen almost as a form of mental illness in this film - as a debilitating, all-consuming condition that one is powerless to control or "cure" but which, if left unchecked, can become the single dominant force in a person's life (we rarely see Yu Hong studying, let alone going to class). One can attempt to fill the void with other loves, but the heart always comes back to the same place.
"Summer Palace" is long and occasionally repetitious and the political aspects aren't as effectively integrated into the story as they perhaps might have been, but the movie is beautifully acted by Lei Hao and Xiaodong Guo, among others, and features incisive and sensitive direction by Ye Lou (who, along with Feng Mei and Ma Yingli, co-authored the screenplay). This is a largely impressionistic film, concentrating more on mood, imagery and emotions than on narrative. The last hour of the film - so filled with longing and regret as the characters age and attempt to come to terms with the special thing they have lost - is particularly lyrical and heartbreaking and will haunt you long after the movie is over.
All told, "Summer Palace" is an intelligent and moving rumination on that mysterious force we call love.
"Summer Palace" plays almost like the autopsy of a romantic obsession, attempting to get at the root of why we love in the way that we do. A novice at true love, Yu Hong understands neither her undying passion for Zhou Wei nor her seemingly incessant need to keep sabotaging their relationship. The closest she can come to grasping this paradox is when she says to Zhou Wei: "I want to break up because I can't leave you." Love is seen almost as a form of mental illness in this film - as a debilitating, all-consuming condition that one is powerless to control or "cure" but which, if left unchecked, can become the single dominant force in a person's life (we rarely see Yu Hong studying, let alone going to class). One can attempt to fill the void with other loves, but the heart always comes back to the same place.
"Summer Palace" is long and occasionally repetitious and the political aspects aren't as effectively integrated into the story as they perhaps might have been, but the movie is beautifully acted by Lei Hao and Xiaodong Guo, among others, and features incisive and sensitive direction by Ye Lou (who, along with Feng Mei and Ma Yingli, co-authored the screenplay). This is a largely impressionistic film, concentrating more on mood, imagery and emotions than on narrative. The last hour of the film - so filled with longing and regret as the characters age and attempt to come to terms with the special thing they have lost - is particularly lyrical and heartbreaking and will haunt you long after the movie is over.
All told, "Summer Palace" is an intelligent and moving rumination on that mysterious force we call love.