At Death House Door had its World Premiere at the SXSW Film Festival in Austin, TX. This is appropriate since its focus is on the death penalty here in the Lone Star state at the Death Chamber in Huntsville, TX. The film is a powerful indictment of the Texas death penalty. It makes little pretense at neutrality and is clearly designed to argue its point-of-view rather than present a unbiased analysis of the issue. The film presents an intensely human narrative of the Texas death penalty.
It does this mostly through the eyes of Reverend Carolle Pickett who served as the Huntsville death row chaplain from 1982-95 spending the final day with 95 death penalty prisoners. He is clearly haunted by what he has witnessed on death row and has now become an advocate against the continued use of the death penalty.
The film's second parallel narrative follows the tragic case of Carlos De Luna who appears to have been executed in 1989 for a crime he didn't commit despite significant evidence that another man actually committed the murder that De Luna was accused of. The film does a better job of arguing that the Texas death penalty system is deeply flawed than it does in making a case that the death penalty is inherently wrong.
At the Death House Door is a compelling, emotional documentary that presents a strong moral and human case against the death penalty. One is certainly left to wonder if Carlos De Luna was wrongly executed and how many others like him are out there.
While this is a solid and provocative film, it seems a level below veteran documentary film maker Steve James's very best films, Hoop Dreams and Stevie. Still, this is a very good film that deserves to be widely seen as our society has begun to question how we use the death penalty in the United States in general - and in Texas in particular.
It does this mostly through the eyes of Reverend Carolle Pickett who served as the Huntsville death row chaplain from 1982-95 spending the final day with 95 death penalty prisoners. He is clearly haunted by what he has witnessed on death row and has now become an advocate against the continued use of the death penalty.
The film's second parallel narrative follows the tragic case of Carlos De Luna who appears to have been executed in 1989 for a crime he didn't commit despite significant evidence that another man actually committed the murder that De Luna was accused of. The film does a better job of arguing that the Texas death penalty system is deeply flawed than it does in making a case that the death penalty is inherently wrong.
At the Death House Door is a compelling, emotional documentary that presents a strong moral and human case against the death penalty. One is certainly left to wonder if Carlos De Luna was wrongly executed and how many others like him are out there.
While this is a solid and provocative film, it seems a level below veteran documentary film maker Steve James's very best films, Hoop Dreams and Stevie. Still, this is a very good film that deserves to be widely seen as our society has begun to question how we use the death penalty in the United States in general - and in Texas in particular.