I am incredibly happy that Mushishi was made the way it was - calm, beautiful, moody and seemingly almost timeless. That it doesn't get a higher score is just because I'm exceptionally stingy with my 9:s and 10:s, and I feel Mushishi could've been even more subtle than it was, for example with the music and sounds: instead of using those to provoke dramatic effect, sometimes simple silence is best. I also feel that there was a little too much of forced narrative coherence towards the end, and would rather it had kept just flowing along - which it otherwise succeeded quite well at. Like the mushi themselves, for big parts, the film just is.
And of course, I'm incredibly happy that things were kept mysterious, without superfluous explanation. It's interesting to read the comments of people who haven't read the manga or seen the anime though, as many seem to think that Ginko is a manipulator of mystic energies. He isn't. He just knows a little more about certain aspects of nature than most people. But that really doesn't matter, I think it's nice it's actually vague enough to allow for such interpretation.
I love the final shot. Simple, suggestive and beautiful. And I love the dampness and dirt. Wandering hills and forests can be muddy.
And of course, I'm incredibly happy that things were kept mysterious, without superfluous explanation. It's interesting to read the comments of people who haven't read the manga or seen the anime though, as many seem to think that Ginko is a manipulator of mystic energies. He isn't. He just knows a little more about certain aspects of nature than most people. But that really doesn't matter, I think it's nice it's actually vague enough to allow for such interpretation.
I love the final shot. Simple, suggestive and beautiful. And I love the dampness and dirt. Wandering hills and forests can be muddy.