10/10
The metaphysics of Don Quixote and Escher meet in the Twilight Zone
28 February 2008
Perhaps more than any other film, Saragossa Manuscript begs for multiple viewings. A fascinating way to watch this movie is to simply see it as space unfolding. At the highest level the structure is a set of interconnected stories which loop back on one another. Each story is a separate, nested world with a narrator who serves as a portal. This is not unlike current theories in physics about the multiverse, with separate worlds that wormhole into and out of one another, connected by black holes.

Also, the frame by frame construction of the film is deeply spacial. The setting of the Sierra Morena seems to have not a single flat surface and the camera is often askew to accentuate this. Elaborately constructed sets are filled with boundaries and connections. Characters interact thru barred windows and seem to constantly flow into and out of doorways and windows. There are many long narrow corridors and alley ways. The camera captures ascending and descending stairways and shots are wide angle to create a feeling of great depth. Often action is focused on a figure in the foreground while another character secretly slips into or out of the room thru a doorway in some distant corner.

This unsettling and masterful manipulation of space is in large part what propel the story so convincingly, since the many boundaries and connections determine which relationships are consummated and which things remain forever out of reach.
10 out of 11 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed