At first glance, during the music and opening sequences of THE HUNTING PARTY, it is difficult to ascertain if the film about to be seen is a comedy or a docudrama about a genocidal maniac. Once the repartee of dialog sets in we realize that journalists require a certain mindset and vantage that allows them to cover war and other atrocities and once that tenor is adjusted the film makes solid sense.
Based on a true story by Scott Anderson (a journalist) THE HUNTING PARTY (written for the screen by Richard Shepard who also directs) deals with a top notch journalist Simon (Richard Gere) on the skids and his buddy cameraman Duck (Terrence Howard) and youngster journalist Benjamin (Jesse Eisenberg) who meet up after Simon's self imposed exile to follow a lead to 'interview' The Fox (Ljubomir Kerekes), the most wanted war criminal from the Bosnia/Croatian war. Their trail follows life-threatening chases and captures and escapes until they expose what the CIA has been doing to prevent - the capture of this heinous maniac. While the atmosphere is rather grim, the production is pitch perfect and the performances by Gere, Howard, and Eisenberg manage to reveal the complexities of the mental states and bizarre outlooks of journalists who elect to be right next to the horrors of war and crime in order to deliver a story. Food for thought here, and a much different approach to the life of correspondents than we've had before. And, it is based on fact! Grady Harp
Based on a true story by Scott Anderson (a journalist) THE HUNTING PARTY (written for the screen by Richard Shepard who also directs) deals with a top notch journalist Simon (Richard Gere) on the skids and his buddy cameraman Duck (Terrence Howard) and youngster journalist Benjamin (Jesse Eisenberg) who meet up after Simon's self imposed exile to follow a lead to 'interview' The Fox (Ljubomir Kerekes), the most wanted war criminal from the Bosnia/Croatian war. Their trail follows life-threatening chases and captures and escapes until they expose what the CIA has been doing to prevent - the capture of this heinous maniac. While the atmosphere is rather grim, the production is pitch perfect and the performances by Gere, Howard, and Eisenberg manage to reveal the complexities of the mental states and bizarre outlooks of journalists who elect to be right next to the horrors of war and crime in order to deliver a story. Food for thought here, and a much different approach to the life of correspondents than we've had before. And, it is based on fact! Grady Harp