Agatha (1979)
4/10
Much ado about nothing
16 May 2007
Warning: Spoilers
I waited a long time to see Agatha. I remember seeing posters for this film at movie theaters when I was a kid and was intrigued about it ever since. For some reason I never happen to catch it, well, until now. I finally watched it on VHS (it's not available on DVD as of this writing). What a letdown. I said "That's it?" when the credits rolled at the end. I couldn't believe what a little, insignificant film it turned out to be. There are great things in it: the cast, lead by the magnificent Vanessa Redgrave. There's also Timothy Dalton and Dustin Hoffman. I always wondered how were they able to cast Hoffman, who's very short, against Vanessa, who's 6 feet tall I believe. Well, I know now: awkwardly. The cinematography by the great Vittorio Storaro is simply stunning and the music is excellent. But the story leaves a lot to be desired because, well, there's really no story.

It's just an idea and a haphazardly conceived idea: after Agatha's husband told her he wants a divorce, the depressed mystery writer disappears from the public eye but goes to a health spa under another name and becomes obsessed with a device at the spa she wants to turn into an electric chair, and devises a plot in order for her to die from that electric chair but without making it look like it was a suicide. That's it. So according to this film, Agatha wanted to kill herself without making it look like a suicide but she obviously failed to do so as she was still alive and kicking after reemerging from her short-lived disappearance. Hoffman is the American who flirts with Agatha and eventually becomes part of the flimsy story.

If I had known the story was this simple, I probably wouldn't have bothered with it. The production is grade A through and through but the screenplay is pure hokum.
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