MARLON BRANDO rides into town leading a pack of wild motorcycle riders who proceed to terrorize a hick town before LEE MARVIN shows up and gets into a drunken fight with Brando (as Johnny). Meantime, Johnny flirts dangerously with a cop's daughter (MARY MURPHY) who runs a cafe. Her father is played by ROBERT KEITH, a lawman who's reticent about using his authority with a bunch of motorcycle thugs.
Tension builds when Keith manages to haul Lee Marvin off to jail. Brando's buddies manage to get a hold of one of the town bullies and put him in the jail cell with the drunken Marvin who has passed out. They then go on a wild rampage but not before some of the town's men decide to form a vigilante squad and go after Brando. Brando has a brief romantic fling with the girl who realizes loving him is a lost cause.
***** POSSIBLE SPOILER AHEAD ***** The plot moves swiftly to a conclusion once the girl is able to convince the authorities that he wasn't responsible for the death of an elderly bystander hit by a motorcycle.
Stanley Kramer production has a nice, tense background score by Leith Stevens.
Summing up: Early Brando is impressive to watch, but much of the dialog is very dated and anchored firmly in the 1950s by the slang and be-bop expressions and overall concept of the film.
Famous for the moment when a girl taunts him with: "What are you rebelling against?"
Brando's terse reply: "What have you got?"
Tension builds when Keith manages to haul Lee Marvin off to jail. Brando's buddies manage to get a hold of one of the town bullies and put him in the jail cell with the drunken Marvin who has passed out. They then go on a wild rampage but not before some of the town's men decide to form a vigilante squad and go after Brando. Brando has a brief romantic fling with the girl who realizes loving him is a lost cause.
***** POSSIBLE SPOILER AHEAD ***** The plot moves swiftly to a conclusion once the girl is able to convince the authorities that he wasn't responsible for the death of an elderly bystander hit by a motorcycle.
Stanley Kramer production has a nice, tense background score by Leith Stevens.
Summing up: Early Brando is impressive to watch, but much of the dialog is very dated and anchored firmly in the 1950s by the slang and be-bop expressions and overall concept of the film.
Famous for the moment when a girl taunts him with: "What are you rebelling against?"
Brando's terse reply: "What have you got?"