I had seen bits and pieces of this one some 22 years ago on Italian TV, while I was convalescing from an operation! Again, this is a highly popular filmic subject: there are at least 6 versions, half of which I've watched, including Roberto Rossellini's sublime THE FLOWERS OF ST. FRANCIS (1950).
Bradford Dillman gives a sensitive portrayal of the beloved saint, and the supporting cast is equally well chosen: Dolores Hart and Stuart Whitman complete a fictional romantic triangle; Finlay Currie and Cecil Kellaway play high church officials; Pedro Armendariz is a sympathetic Arab ruler; while Mervyn Johns appears as Francis' most loyal disciple.
The initial display of pageantry - with which director Curtiz is clearly more at home, being an expert in the field - is a welcome counterpoint to the mostly turgid solemnity of the film's second half. Generally workmanlike rather than inspired, it does have the occasional moving passage (I also happen to share the character's affection for animals); besides, the film is buoyed by a fine Mario Nascimbene score and the advantage of location shooting.
No worse or better than many contemporaneous religious epics, the film is still worthier of consideration than Leslie Halliwell's two-word dismissal ("tedious biopic") would suggest...
Bradford Dillman gives a sensitive portrayal of the beloved saint, and the supporting cast is equally well chosen: Dolores Hart and Stuart Whitman complete a fictional romantic triangle; Finlay Currie and Cecil Kellaway play high church officials; Pedro Armendariz is a sympathetic Arab ruler; while Mervyn Johns appears as Francis' most loyal disciple.
The initial display of pageantry - with which director Curtiz is clearly more at home, being an expert in the field - is a welcome counterpoint to the mostly turgid solemnity of the film's second half. Generally workmanlike rather than inspired, it does have the occasional moving passage (I also happen to share the character's affection for animals); besides, the film is buoyed by a fine Mario Nascimbene score and the advantage of location shooting.
No worse or better than many contemporaneous religious epics, the film is still worthier of consideration than Leslie Halliwell's two-word dismissal ("tedious biopic") would suggest...