REVENGE OF THE LIVING DEAD GIRLS (Pierre B. Reinhard - France 1987).
The premise of spilling some toxic waste in awakening the dead is rather similar to Jean Rollin's girlie zombie flick LA MORTE VIVANTE (1981), in this case it's the spilling of contaminated milk that awakes three slumbering girls in a graveyard instead of one. Some even suggested Jean Rollin directed this one too, and that Pierre B. Reinhard was a pseudonym. Does three living dead girls mean more fun? Well, not exactly. Now, I'm not a big zombie fan, but sometimes it can be fun, even the bad ones, but the only thing this one delivers is a couple of truly sickening - but not too convincing - gore scenes, like a woman's abortion in the shower, a sword used as a dildo and some genital mutilation. Despite this, even gore lovers or those looking for a couple of laughs, better look elsewhere. In between the occasional and quite infrequent zombie action, we're treated with a hokum storyline, wooden acting and when talking atmosphere and cinematography, Jean Rollin's oeuvre begins to look brilliant in comparison. This one is plain dull, and Brigitte Lahaie isn't even in it. The pits.
Camera Obscura --- 2/10
The premise of spilling some toxic waste in awakening the dead is rather similar to Jean Rollin's girlie zombie flick LA MORTE VIVANTE (1981), in this case it's the spilling of contaminated milk that awakes three slumbering girls in a graveyard instead of one. Some even suggested Jean Rollin directed this one too, and that Pierre B. Reinhard was a pseudonym. Does three living dead girls mean more fun? Well, not exactly. Now, I'm not a big zombie fan, but sometimes it can be fun, even the bad ones, but the only thing this one delivers is a couple of truly sickening - but not too convincing - gore scenes, like a woman's abortion in the shower, a sword used as a dildo and some genital mutilation. Despite this, even gore lovers or those looking for a couple of laughs, better look elsewhere. In between the occasional and quite infrequent zombie action, we're treated with a hokum storyline, wooden acting and when talking atmosphere and cinematography, Jean Rollin's oeuvre begins to look brilliant in comparison. This one is plain dull, and Brigitte Lahaie isn't even in it. The pits.
Camera Obscura --- 2/10