I'd only seen part of one episode of the TV show before seeing the film, so my knowledge of the characters and the premise of the show was limited. No matter: the film does an excellent job of establishing its tone and the specifics of the characters right off the bat. No roadmap required.
My biggest fear with seeing a theatrical version of a TV series is that the film tries to overinflate the stakes of the plot to justify the increased length and budget and fails. Reno 911!: Miami took that necessity to its logical next step by moving the small town incompetence to a much larger scale in Miami, but due to some clever (and minimalist) writing, the relocation works. And, since nearly all of the humor in the film is derived from the characters and their reactions to their situations -- all of which speed by at a brisk pace, so as to not overmilk a joke -- the relocation never felt forced or unwelcome.
Impressively, the film veers into cliché territory on numerous occasions but never delivers the expected punchline. The actors know their characters so well that their improvisations keep the audience and their costars on their toes at all times. Even the traditional "caper" plot, which is really just an excuse to tie all the vignettes together, is handled with more originality than I would have expected.
Perhaps I should start expecting more from this creative team, since they're capable of sustaining my interest (and my amusement) over the course of a full-length feature. In fact, perhaps I should start watching the series...
My biggest fear with seeing a theatrical version of a TV series is that the film tries to overinflate the stakes of the plot to justify the increased length and budget and fails. Reno 911!: Miami took that necessity to its logical next step by moving the small town incompetence to a much larger scale in Miami, but due to some clever (and minimalist) writing, the relocation works. And, since nearly all of the humor in the film is derived from the characters and their reactions to their situations -- all of which speed by at a brisk pace, so as to not overmilk a joke -- the relocation never felt forced or unwelcome.
Impressively, the film veers into cliché territory on numerous occasions but never delivers the expected punchline. The actors know their characters so well that their improvisations keep the audience and their costars on their toes at all times. Even the traditional "caper" plot, which is really just an excuse to tie all the vignettes together, is handled with more originality than I would have expected.
Perhaps I should start expecting more from this creative team, since they're capable of sustaining my interest (and my amusement) over the course of a full-length feature. In fact, perhaps I should start watching the series...