Rarely can there have been a wordier, more intense film than Ingmar Bergman's 'Scenes from a Marriage': over three hours of near-continuous dialogue, over 90% of which is shared by just two (of a total of six) characters in what are effectively just six lengthy scenes. Set over a number of years, they observe a couple's changing relationship, and in particular the gradual and ambiguous transfer of power from the husband to the wife. The characters fit a Scandanavian archetype, reserved rather than fiery, and intellectual to boot: of more modern films, only David Mamet's 'Oleanna' comes to mind as remotely similar, although the dialogue in that film is more forced and contrived than that in this one, which closer resembles that of Kieslowski, although the latter's films were of course much less wordy. If it sounds dreary, the surprising thing is how riveting it is: superb, economical acting, and the splendid script, keep you focused, even though not a lot (in the conventional sense) actually happens. And while you'll watch more accessible movies, it's certainly fair to say that you'll rarely see a film this old that feels less dated. It's not quite entertainment as usually defined; but it's certainly interesting.
Review of Scenes from a Marriage
