Emma Riley, a young woman getting over a bad relationship, wants a change in her life. She decides to answer the ad for a housekeeper in New Haven. She will be working for professor Richard Goddard and his grown son, Wendell. Emma's arrival is like a ray of sunshine in this huge, but stuffy house, where the figure of the dead wife of the professor, looms large in the background.
Richard takes a liking to Emma, who answers him in kindness. It's clear to see he has fallen in love with her. Wendell, on the other hand, is a young man fighting his own demons. When Emma tries to be friendly to him, he rejects her. When Richard, who is clearly in love with Emma, proposes, she is happy to accept. Wendell, who has married his girlfriend Monica in a whim, finds out he made a big mistake.
Wendell, a sensitive man, writes poetry. He can't take any more rejections of his work. Emma intercedes to one of Richard's colleagues to see if he can help Wendell. When two of his poems are accepted, Wendell, who has also liked Emma, much more than he lets it be known, finally can't help but showing her how he feels about it.
Richard confesses to Emma the reason for the estrangement between him and his son. It goes back when he had his wife committed to a sanatorium and her subsequent death. Since he couldn't deal with the situation, he fled to New York to the arms of his mistress, leaving behind a desolate Wendell. Emma, who can't take more of the tension in the Goddard's home, decides to leave. She prays that she becomes pregnant. We finally see Emma at her own house with a small child and the last frame in the film shows Wendell and Richard and this baby between them.
Kiefer Sutherland shows he has what it takes for being a good director. He is one of the best actors around, so directing could be something he could do well, as he shows here. Evidently, this production must have had problems as it shows another man as the director, but it must have been the studio's doing to try to change Mr. Sutherland's work to whatever they thought it should have been.
The principal flaw in the movie is the screen treatment. Not having read Joanna McClelland Glass' novel, one can't make an assumption of where it went wrong. Perhaps inexperience played a part in the end product. The film has the feeling of a Gothic novel set in the last century, and not in the present time.
The three principals do excellent work. Holly Hunter makes Emma appear more luminous than in the written page. She is an actress that can't do a false movement. Michael Moriarty had a great career in the theater and films before concentrating on television. He makes an excellent character study of this cold man who suddenly sees salvation when he falls in love with the house keeper. Kiefer Sutherland's role is not fully developed. His character is the more uneven of the three leads, but he has great moments in which he shows what he really can do.
Richard takes a liking to Emma, who answers him in kindness. It's clear to see he has fallen in love with her. Wendell, on the other hand, is a young man fighting his own demons. When Emma tries to be friendly to him, he rejects her. When Richard, who is clearly in love with Emma, proposes, she is happy to accept. Wendell, who has married his girlfriend Monica in a whim, finds out he made a big mistake.
Wendell, a sensitive man, writes poetry. He can't take any more rejections of his work. Emma intercedes to one of Richard's colleagues to see if he can help Wendell. When two of his poems are accepted, Wendell, who has also liked Emma, much more than he lets it be known, finally can't help but showing her how he feels about it.
Richard confesses to Emma the reason for the estrangement between him and his son. It goes back when he had his wife committed to a sanatorium and her subsequent death. Since he couldn't deal with the situation, he fled to New York to the arms of his mistress, leaving behind a desolate Wendell. Emma, who can't take more of the tension in the Goddard's home, decides to leave. She prays that she becomes pregnant. We finally see Emma at her own house with a small child and the last frame in the film shows Wendell and Richard and this baby between them.
Kiefer Sutherland shows he has what it takes for being a good director. He is one of the best actors around, so directing could be something he could do well, as he shows here. Evidently, this production must have had problems as it shows another man as the director, but it must have been the studio's doing to try to change Mr. Sutherland's work to whatever they thought it should have been.
The principal flaw in the movie is the screen treatment. Not having read Joanna McClelland Glass' novel, one can't make an assumption of where it went wrong. Perhaps inexperience played a part in the end product. The film has the feeling of a Gothic novel set in the last century, and not in the present time.
The three principals do excellent work. Holly Hunter makes Emma appear more luminous than in the written page. She is an actress that can't do a false movement. Michael Moriarty had a great career in the theater and films before concentrating on television. He makes an excellent character study of this cold man who suddenly sees salvation when he falls in love with the house keeper. Kiefer Sutherland's role is not fully developed. His character is the more uneven of the three leads, but he has great moments in which he shows what he really can do.