A wealthy and arrogant aristocrat openly has an affair with another woman, thus driving his wife to start her own affair with a writer that leads to a pregnancy and baby. Giancarlo Giannini is magnificent in a role that instills in the viewer zero sympathy and outright hostility. The film heads into what can only be described as one of the most memorably tragic conclusions since Shakespeare, and is also one of the most beautifully filmed and costumed movies ever, with sumptuous deep red wallpapered rooms with velvet curtains. Wealth and position can cut both ways, with Giannini's role going down into a dark and bankrupt morality that in the end is like a swamp.
Review of The Innocent
