Interesting mixture of character study, suspense, U.S. sociology, and comedy thrown together competently in a way only Wim Wenders can somehow sustain. Flawed though it may be, Land of Plenty is still the most interesting piece of post-9/11 fiction I have yet to see. Exactly one year after that fateful day, across the other side of the country, two family members will connect in a most bizarre yet relevant manner, while each one deals with aftermath in their respective ways. Filmed one year earlier then, although released to DVD a few months after, Wenders offers the antithesis to his quirky, subtle, arty melodrama "Don't Come Knockin", defying most of his usual style until the last act of the story. Guided by time honored and often neglected traditions of a strong commitment to singularly personified characters, viewers are led on an insiders journey through a one of a kind portrait, solidified by unknown but seasoned actor John Diehl as the gung-ho patriot veteran. Gently and less memorable in walks Michelle Williams's role to sprinkle some much needed humanity and contrast to the crazed antics. Much of the darker urgency in the first half eventually subsides into more familiar motifs, opening up the gritty feel into lighter fare. Satisfying and memorable in a brilliant climax, the overall pace from bleak drama to typical Wenders soulful dramedy does lessen the impact, no more as when the conveniently written final antidote improperly bids these characters adieu. With an open mind and a slight suspension of disbelief intact, Land of Plenty still offers engaging and thought provoking material while transforming itself into something less heavy in the process.
Review of Land of Plenty
