5/10
Only marginally successful as play and film...
3 October 2006
There are times in ON A CLEAR DAY YOU CAN SEE FOREVER where you know Vincente Minnelli had a firm hand on the proceedings and there are moments when BARBRA STREISAND does an outstanding job on the vocals. But there are just as many dull spots in the long-winded musical that is stronger when it's showing flashbacks to Victorian England than it is in getting us involved in the modern day story.

Once again, Babs has the spotlight while the men around her are insufficiently used--men like YVES MONTAND (did he ever find a good role in an American film?), JACK NICHOLSON and JOHN RICHARDSON. She's adept at playing a girl who undergoes psychosis and reveals to her doctor (Montand) that she has another veddy British lady, Melinda, inside her, who has much more class than her modern personality. Naturally, the doctor falls in love with her other persona.

The Broadway musical by Alan J. Lerner was never an overwhelming success and the movie fails to maintain steam once the basic plot is set in motion. It's a lush looking affair, especially the Victorian scenes with Streisand in some stunning Cecil Beaton outfits, but the overall effect is one of emptiness at the heart of the story.

Summing up: No doubt Streisand's fans will probably welcome it with open arms as it does showcase her own brand of talent.
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