Umberto Lenzi tried his hand at just about every popular type of film in Italy during the sixties, seventies and eighties, and while he has some very nice entries on his list of directorial credits; it has to be said that he isn't the best director to try his hand at the likes of Giallo, zombie and cannibal movies. However, when it comes to crime films; Lenzi comes into his own, and just like Almost Human a couple of years earlier, Violent Naples is an entertaining and nasty little crime thriller. Like every film in this sub-genre, the major influence comes from the masterpiece American film 'Dirty Harry', and here we follow a copper not too far removed from Clint Eastwood's famous character. Commissario Betti is your typical disgruntled cop that favours violence over proper police procedure. He's fed up with the way that Naples is being run by the criminals, and so sets his sights on The Commandante. However, this man isn't easy to bring down, and since Betti is receiving no help from his fellow townsmen, the task of ending crime in Naples is left to our leading man.
The title of the film leads the viewer to expect lots of violence, and Lenzi certainly doesn't disappoint in this respect. We've got bowling balls to the head, a young woman having her face scraped off on a moving train, a man impaled on a sharp fence and many other such delights. Overall, it has to be said that this film isn't very original, but Lenzi injects some freshness into it with a barrage of exciting chase scenes (the best of which take a point of view shot from the front of a motorbike) and violent shootouts. The good thing about these Polizia movies is that they are played out for pure entertainment value, meaning that Lenzi is free from trying to be arty, and can pack in as much violence as he likes; a fact which is often capitalised on. The film benefits from a strong Italian cast, including Maurizio Merli; who may be no Clint Eastwood, but still delivers a strong and entertaining lead performance. John Saxon gets to join in the fun also, and there's also a place for fellow American actor Barry Sullivan, in the role of the villain. Overall, if you're into Italian cop movies; this isn't one to miss!
The title of the film leads the viewer to expect lots of violence, and Lenzi certainly doesn't disappoint in this respect. We've got bowling balls to the head, a young woman having her face scraped off on a moving train, a man impaled on a sharp fence and many other such delights. Overall, it has to be said that this film isn't very original, but Lenzi injects some freshness into it with a barrage of exciting chase scenes (the best of which take a point of view shot from the front of a motorbike) and violent shootouts. The good thing about these Polizia movies is that they are played out for pure entertainment value, meaning that Lenzi is free from trying to be arty, and can pack in as much violence as he likes; a fact which is often capitalised on. The film benefits from a strong Italian cast, including Maurizio Merli; who may be no Clint Eastwood, but still delivers a strong and entertaining lead performance. John Saxon gets to join in the fun also, and there's also a place for fellow American actor Barry Sullivan, in the role of the villain. Overall, if you're into Italian cop movies; this isn't one to miss!