Inside Moves is a nice film that sort of combines the best of 70s-styled minimal cinema with the heart you would expect from a Richard Donner film. The most interesting thing about the making of this film is that it's the movie Richard Donner did after he was fired from Superman II. Donner had been a highly successful television director for nearly 20 years when he got his big break on 'The Omen' in 1976. On that hit, he was offered 'Superman' and directed a large scale classic. We'll see most of his vision for 'Superman II' later this year when 'The Donner Cut' comes out on DVD. However, 'Inside Moves' is a small scale film that tells a simple human story and shows that Donner can win with both big and small films.
The opening prelude is quite stunning. John Savage plays Roary, a man who walks up to a building, goes in, and jumps out the window of the 10th floor to commit suicide. He fails and after recovery, he ends up disabled and with nothing. He walks into a bar and finds himself among other disabled people, including Jerry (David Morse in an early lead role) whose bad knee prevents him from following his dream of playing basketball. Roary finds that these people openly kid about their disabilities and at the same time care about each other. Roary begins to open up and find hope and cling to his new friend, Jerry. When Roary helps Jerry get money to have an operation that will fix his knee, Jerry forgets his roots and leaves the bar, disappointing his friends. It's up to Roary to deal with his own emotions and feelings for a fellow waitress (nicely played by Diana Scarwig in an Oscar-nominated performance), and calling Jerry out to return to his friends at the bar.
There are a few schmaltzy moments, but this film has focus and heart. Donner always succeeds in that. More than that, this film has some wonderful issues that are touching and make you think. Remembering your roots, friendship, love for someone with a disability, and how one person's success can mean so much to his friends are just many of the slices of life that this film depicts. It's all done with taste and intimate style that makes you feel like you know these people. I found myself laughing at jokes that i didn't even think were funny because I simply liked and cared for the people.
There are lots of veteran actors you'll recognize including Steve Kahan (Donner's cousin, who is in nearly every Donner film), Bill Henderson (a wonderful actor who is one of the most friendly people you wish you'd meet) and after a 34 year absence since his Oscar-winning performance in 'The Best Years of Our Lives' - Harold Russell - whose disability of having metal hands is not exploited. This film doesn't treat people with disabilities in such a way. You don't look at the blind man's lack of eyes, or the man with the metal hands, you look at people. The whole cast is wonderful. A lot of the actors get to etch characters that they don't get to do in every role they take. Richard Donner deserves a cheer for this small film with a big heart.
The opening prelude is quite stunning. John Savage plays Roary, a man who walks up to a building, goes in, and jumps out the window of the 10th floor to commit suicide. He fails and after recovery, he ends up disabled and with nothing. He walks into a bar and finds himself among other disabled people, including Jerry (David Morse in an early lead role) whose bad knee prevents him from following his dream of playing basketball. Roary finds that these people openly kid about their disabilities and at the same time care about each other. Roary begins to open up and find hope and cling to his new friend, Jerry. When Roary helps Jerry get money to have an operation that will fix his knee, Jerry forgets his roots and leaves the bar, disappointing his friends. It's up to Roary to deal with his own emotions and feelings for a fellow waitress (nicely played by Diana Scarwig in an Oscar-nominated performance), and calling Jerry out to return to his friends at the bar.
There are a few schmaltzy moments, but this film has focus and heart. Donner always succeeds in that. More than that, this film has some wonderful issues that are touching and make you think. Remembering your roots, friendship, love for someone with a disability, and how one person's success can mean so much to his friends are just many of the slices of life that this film depicts. It's all done with taste and intimate style that makes you feel like you know these people. I found myself laughing at jokes that i didn't even think were funny because I simply liked and cared for the people.
There are lots of veteran actors you'll recognize including Steve Kahan (Donner's cousin, who is in nearly every Donner film), Bill Henderson (a wonderful actor who is one of the most friendly people you wish you'd meet) and after a 34 year absence since his Oscar-winning performance in 'The Best Years of Our Lives' - Harold Russell - whose disability of having metal hands is not exploited. This film doesn't treat people with disabilities in such a way. You don't look at the blind man's lack of eyes, or the man with the metal hands, you look at people. The whole cast is wonderful. A lot of the actors get to etch characters that they don't get to do in every role they take. Richard Donner deserves a cheer for this small film with a big heart.