Okay, first let me come clean with my biases: I'm a Jane Russell fan. Even recognizing how amazing Marilyn Monroe was, etc, etc... Even in 'Gentlemen Prefer Blondes', I've personally always preferred Jane Russell's 'wise-cracking dame' screen persona to Marilyn's blowsy bubble-head. But that said...
While I agree that "Gentlemen Marry Brunettes" is by no means a great film, even if one lowers the bar to generic 50's musical standards. Still, I do think its greatest sin is in not being "Gentlemen Prefer Blondes". It wouldn't seem half so bad if it didn't instantly invite comparison to a classic 'relative' ("Gentlemen Prefer Blondes").
Yet and still the production values are generally very high. Costumes by Travilla, additional fashions by Dior, and the period location filming in Paris and Monte Carlo alone really is (almost) worth sitting through the movie for.
As an earlier commentator pointed out, I do think it was a mistake to make Jane play an 'air-head'. One of her strenghts as a performer/film personality is that her basic integrity usually shone through on screen. It's a shame to hide that.
The biggest mistakes (in my opinion) are that neither Jane, nor Jeanne Crain were given a 'solo-number'. It may seem a small thing, but if one reflects on the shining moments of "Blondes", one's mind immediately goes to Marilyn's "Diamonds Are A Girl's Best Friend" and Jane pushing the muscle men around in "Ain't There Anyone Here For Love?". It's in these two scenes where both performer's personalities (Marilyn, the 'sizzling' blonde bombshell; and Jane, the raven-haired, self-effacing flirt) really shine. No such scenes exist in "Brunettes" for either character.
Further, while I like Jeanne Crain as a performer, I can't help feeling that the story needed another kind of 'contrast' to replace that dynamism between blonde Marilyn and brunette Jane in "Blondes". Playing the 'what if' game for a moment: imagine (with a slight plot shift)a young RITA MORENO as Jane Russell's Cuban 'half-sister' or 'cousin'? Just a little 'twist' like that would have added an element of thematic and visual tension that is missing in "Brunettes". OR... since the film was set in Europe, how about Gina Lolobrigida as Jane's Italian cousin, giving the movie added continental flair? Still... I say take "Brunettes" for what it is: a handsomely-mounted relic of Hollywood's last fling with pure, unadulterated fluff musicals! Put cotton in your ears and soak in the costumes and location shooting!
While I agree that "Gentlemen Marry Brunettes" is by no means a great film, even if one lowers the bar to generic 50's musical standards. Still, I do think its greatest sin is in not being "Gentlemen Prefer Blondes". It wouldn't seem half so bad if it didn't instantly invite comparison to a classic 'relative' ("Gentlemen Prefer Blondes").
Yet and still the production values are generally very high. Costumes by Travilla, additional fashions by Dior, and the period location filming in Paris and Monte Carlo alone really is (almost) worth sitting through the movie for.
As an earlier commentator pointed out, I do think it was a mistake to make Jane play an 'air-head'. One of her strenghts as a performer/film personality is that her basic integrity usually shone through on screen. It's a shame to hide that.
The biggest mistakes (in my opinion) are that neither Jane, nor Jeanne Crain were given a 'solo-number'. It may seem a small thing, but if one reflects on the shining moments of "Blondes", one's mind immediately goes to Marilyn's "Diamonds Are A Girl's Best Friend" and Jane pushing the muscle men around in "Ain't There Anyone Here For Love?". It's in these two scenes where both performer's personalities (Marilyn, the 'sizzling' blonde bombshell; and Jane, the raven-haired, self-effacing flirt) really shine. No such scenes exist in "Brunettes" for either character.
Further, while I like Jeanne Crain as a performer, I can't help feeling that the story needed another kind of 'contrast' to replace that dynamism between blonde Marilyn and brunette Jane in "Blondes". Playing the 'what if' game for a moment: imagine (with a slight plot shift)a young RITA MORENO as Jane Russell's Cuban 'half-sister' or 'cousin'? Just a little 'twist' like that would have added an element of thematic and visual tension that is missing in "Brunettes". OR... since the film was set in Europe, how about Gina Lolobrigida as Jane's Italian cousin, giving the movie added continental flair? Still... I say take "Brunettes" for what it is: a handsomely-mounted relic of Hollywood's last fling with pure, unadulterated fluff musicals! Put cotton in your ears and soak in the costumes and location shooting!