10/10
that sounds too much like what they really are
15 July 2006
Warning: Spoilers
I can imagine someone unsympathetic to this this particular scene of artists viewing this film about Ray Johnson and finding it slightly self-absorbed and immature, however, I enjoyed watching it.

The opening of the film runs like a prime time local news investigative report, right before the weather segment. As the film progressed, I found my mind sinking deeper into the story of this guy that I had initially never heard of. The music changed from straight ahead brush work by drummer Max Roach to more ambient music, somewhat across between Bill Frissel and John Cage as one was confronted with photographs of both the artist and his work.

Johnson, in photographs of his youth, contains a look of intense, loving, and innocent obsession, the realization of which is brought home towards the end of the film.

His work is a kaleidescope of colors and ideas, as varied as it is numerous. His method of putting his work out may appeal to an anarchist mentality as does the entire film which is also appreciated for its disclosure of beauty that one may not have known about otherwise, which is a shame. Overall, the subject sticks in one's mind more than the film itself, which I suppose is a credit to its craft. It is very fortunate that this film has been made and is readily available in many rental stores. I recommend taking advantage of it.
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