One of the very best of the series. Convicted criminal Jack Warden is banished to outlying asteroid, where he lives alone on barren plain (Death Valley) in a rickety corrugated shack (not a wise choice of hot weather building materials). Needless to say, he's going slowly nutzoid. Supply ship commander (Dehner) takes pity and smuggles a female android to him for company.
Outstanding script treats Warden's predicament in unusually intelligent, thoughtful manner, providing at the same time some insight into ordinary human frailties. Android gimmick supplements theme rather than defining it. Solid performances, especially Warden's depiction of a man at the end of his rope, (note presence of uncredited Ted Knight as crewman, practicing the obnoxious personality that would later flower as Ted Baxter on "Mary Tyler Moore Show"). Good location sites help create sense of desperate isolation. The shot of the shack pictured against the infernally barren landscape is enough to send you running for the nearest city. Ending is powerfully done with an emotional impact that will likely stay with you.
In my book, this is one of the entries that established the series' reputation and its now classic status.
Outstanding script treats Warden's predicament in unusually intelligent, thoughtful manner, providing at the same time some insight into ordinary human frailties. Android gimmick supplements theme rather than defining it. Solid performances, especially Warden's depiction of a man at the end of his rope, (note presence of uncredited Ted Knight as crewman, practicing the obnoxious personality that would later flower as Ted Baxter on "Mary Tyler Moore Show"). Good location sites help create sense of desperate isolation. The shot of the shack pictured against the infernally barren landscape is enough to send you running for the nearest city. Ending is powerfully done with an emotional impact that will likely stay with you.
In my book, this is one of the entries that established the series' reputation and its now classic status.