Spencer Tracy is the title character. He is a newspaper's ace crime reporter in this very good movie that could have been great.
I've read quite a lot about Tracy's life. The character he plays seems to have many traits and behavioral patterns in common with the real Spencer Tracy, who was apparently a far darker person than many of the benevolent roles he played.
This moves along at a good clip. At times it's upsetting, at others it's exciting.
Virginia Bruce is the lonely-hearts columnist at the paper. She has crush on Tracy but he has secrets and a past that have kept him from allowing a relationship to develop. (A couple years earlier, before the Code, it well might have developed anyway.) Bruce was a beautiful woman, with a poignant, ethereal quality. Here, however, she is unflatteringly costumed, made-up, and/or lit. She comes across more as a mannish, dowdy old maid schoolteacher than the romantic leading lady she was.
"Fury" is not a sunny movie, to say the least. This is another movie that shows a different Tracy we know from his two 1930s Oscar-winning roles, the collaborations with Katharine Hepburn, and "Father of the Bride" and its sequel.
The very darkest of all his movies, however, is "The People Against O'Hara." I consider that one a classic. This is not quite a classic but it's unique and gripping.
I've read quite a lot about Tracy's life. The character he plays seems to have many traits and behavioral patterns in common with the real Spencer Tracy, who was apparently a far darker person than many of the benevolent roles he played.
This moves along at a good clip. At times it's upsetting, at others it's exciting.
Virginia Bruce is the lonely-hearts columnist at the paper. She has crush on Tracy but he has secrets and a past that have kept him from allowing a relationship to develop. (A couple years earlier, before the Code, it well might have developed anyway.) Bruce was a beautiful woman, with a poignant, ethereal quality. Here, however, she is unflatteringly costumed, made-up, and/or lit. She comes across more as a mannish, dowdy old maid schoolteacher than the romantic leading lady she was.
"Fury" is not a sunny movie, to say the least. This is another movie that shows a different Tracy we know from his two 1930s Oscar-winning roles, the collaborations with Katharine Hepburn, and "Father of the Bride" and its sequel.
The very darkest of all his movies, however, is "The People Against O'Hara." I consider that one a classic. This is not quite a classic but it's unique and gripping.