9/10
Seeing Is Not Believing -- It's More
30 March 2006
Warning: Spoilers
The schism between belief and science, religion and technology, the afterlife and end of life, childhood innocence and adult reality, are all themes which flow through this marvelous film. Photographing Fairies is a deceptive title for a film that is more than a simple tale of two little girls who claimed to photograph little flying sprites in rural Birkinwell, England. During the latter quarter of the 19th century and into the 20th century, beliefs about civilization as the privilege of modern western society was shaken by the reality of modern social ills culminating with the devastation wreaked by WWI.

From this groundwork, two men loose their wives - Charles Castle, a grieving photographer who lost his wife on their honeymoon and earns his living by creating memorial photographs of dead soldiers for grieving families. The second and darker character is a country parson, Rev. Templeton whose very calling relies on humanity's ultimate desire to believe in something more, in life after death but which he has not maintained. Templeton's wife Beatrice approached Castle with the photograph offering evidence of fairies with their young daughters. Castle analyzes the image and arrives at the conclusion no trick photography was involved. He sets out to discover the "truth" of the image with mind-altering results.

Although somewhat heavy-handed in some symbolic references to Christian beliefs, this is balanced by the notion of fairies as pre-Christian elemental beings of Nature. In addition, the use of an organic flower is key to the transition to "slow time" that enables whoever consumes it to see what is invisible to the naked eye of modern man, and ultimately, to technology. 19th century photography enabled audiences to possess visual evidence of the living and the dead as well as the spiritual as the trends for post-mortem and spirit photography was fashionable for the Victorians. As Castle's beliefs are replaced with new mystical experiences, Rev. Templeton is adamant to thwart any efforts that deny his beliefs and self-indulgent practices.

This is a subtle storyline that belies the title and it is all for the better. Superior acting from Toby Stevenson and Ben Kingsley lift the story to a level that leaves the audience pondering several questions that become more intriguing on multiple viewings. Wonderful period costuming, locations, and soundtrack have been commented on by others and all in all, Photographing Fairies is worth the watch.
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