Large, talented cast covering the spectrum of romantic situations.
13 March 2006
Warning: Spoilers
Set against the advent of a fancy wedding, this comedy examines the many aspects of late sixties/early seventies love relationships amongst the wedding party and guests. Brandon and Bedelia play the bride and groom. They've been living together for a year, unknown to their parents, and barely see any reason to make it legal, apart from the fact that it's expected of them. Young and Leachman are Bedelia's affluent parents. Young, though he cares about Leachman, has been carrying on a decade-long affair with her best friend Jackson. Brandon's middle-class Italian parents are played by Castellano and Arthur. They seem to have stayed together out of duty and religion rather than love, yet have attained a level of comfort between themselves. Brandon's brother Hindy is on the verge of divorcing his wife Keaton. Bedelia's sister Meara is having sexual issues with her macho husband Guardino. Finally, Brandon's friend Dishy is embarking on a relationship with Bedelia's friend Hailey. These thirteen lives are examined in vignettes before, during and after the wedding, often with comedic results, but occasionally with poignant ones. Though many of the attitudes and situations may appear dated now, it's still a pretty intriguing time capsule of what different thought processes went in to the various relationship situations of the day, a time when women's lib and the sexual revolution were hot-button topics. Also, many of the observations regarding love between men and women are relevant now, despite the presence of such patently tacky clothes, furnishings and wallpaper. Arthur plays a type of role far different from the more assertive and brusque ones often associated with her and she plays it well. Comparatively monosyllabic Castellano is a good counterpoint to her and winds of providing the most touching moment in the film when he attempts to explain his wedding gift to Brandon. Young, hot off his Oscar win for "They Shoot Horses, Don't They?", does a nice job wrangling Jackson, whose character is often in a state of hysterics over their rather doomed affair. Meara enjoys one of her most substantial film roles and crafts a three-dimensional character despite having to shoulder the burden of some topical gender issue repartee with Guardino's closed-minded character. In a bizarre casting decision, Meara's mother is played by Leachman, even though Leachman is only 3 years older than Meara! (Leachman is given very little to do in the film, but does look nice.) Keaton, in her debut, is almost able to open her eyes, which are weighted down with heavy false eyelashes. She does a nice job, but doesn't suggest the significant career that was around the bend for her. As the newlyweds, Brandon and Bedelia are both immensely appealing. She is the better known, thanks to a latter day spate of roles in some high-powered films featuring Bruce Willis and Harrison Ford, but he was able to maintain a long, if more subdued career as well. It's a colorful, at times insightful, often amusing look at the many facets of love, dating and marriage at the time and features a great cast. It seems surely to have provided some degree of inspiration for Robert Altman's "A Wedding", though the latter film is more cynical and more heavily focused on the matrimonial ceremony itself.
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