Okay, we understand that a Scooby-Doo mystery is not going to be in the same league as a Citizen Kane mystery. But Scooby has good movies and bad movies just like any other Mega-Star. I'm pleased to say that Where's My Mummy is in the former category.
Velma is assisting an archaeological dig in Egypt (on the Sphinx no less) when she finds a mysterious necklace which could be the key to Cleopatra's lost treasure. I've never heard of such treasure, but for the sake of the movie, we'll pretend it exists. The rest of the Mystery Inc. gang turn up to visit her but the site is promptly taken over by Amelia von Butch (Christine Baranski), a gun-ho Lara Croft-type and her band of cohorts.
Despite warnings of ancient curses she forces the Mystery Inc. gang and an obnoxious reality-TV host (Jeremy Piven) to enter the tomb with her to solve it's secrets and find the treasure. Immediately setting-off traps, Shaggy and Scooby are separated from the rest of the gang (not on purpose for a change) and get involved in their own mystery of a deranged Hotep (Ron Pearlman) and his followers who worship a strange God known as Scoobis and his servant Shagman.
Both stories are kept lively and entertaining until they merge into one. There's not a moment of boredom and, as usual, a couple of cool original songs too. But sadly, no new version of Scooby-Doo, Where Are You at all. To compare it with similar films like Indiana Jones, Tomb Raider or even The Goonies would be pointless. Yes, we've seen this kind of thing before but animation is a medium that present more opportunities than live-action and there's loads of inventive set-pieces and imaginative locations that have become the standard of modern Scooby-Doo outings.
And what do you know? It even manages to provide a rather surprising twist at the end. We know it's far-fetched and unbelievable as always, but it ties together pretty well, thus making the film a little bit better a little bit more.
As long as their is imagination behind this franchise, Scooby-Doo could go on forever. He may deliver a few duds from time to time (Monster of Mexico was extremely crap after all) but he still a very important character in modern animation and will always come out on top if we believe in him.
Or am I taking this too seriously?
Velma is assisting an archaeological dig in Egypt (on the Sphinx no less) when she finds a mysterious necklace which could be the key to Cleopatra's lost treasure. I've never heard of such treasure, but for the sake of the movie, we'll pretend it exists. The rest of the Mystery Inc. gang turn up to visit her but the site is promptly taken over by Amelia von Butch (Christine Baranski), a gun-ho Lara Croft-type and her band of cohorts.
Despite warnings of ancient curses she forces the Mystery Inc. gang and an obnoxious reality-TV host (Jeremy Piven) to enter the tomb with her to solve it's secrets and find the treasure. Immediately setting-off traps, Shaggy and Scooby are separated from the rest of the gang (not on purpose for a change) and get involved in their own mystery of a deranged Hotep (Ron Pearlman) and his followers who worship a strange God known as Scoobis and his servant Shagman.
Both stories are kept lively and entertaining until they merge into one. There's not a moment of boredom and, as usual, a couple of cool original songs too. But sadly, no new version of Scooby-Doo, Where Are You at all. To compare it with similar films like Indiana Jones, Tomb Raider or even The Goonies would be pointless. Yes, we've seen this kind of thing before but animation is a medium that present more opportunities than live-action and there's loads of inventive set-pieces and imaginative locations that have become the standard of modern Scooby-Doo outings.
And what do you know? It even manages to provide a rather surprising twist at the end. We know it's far-fetched and unbelievable as always, but it ties together pretty well, thus making the film a little bit better a little bit more.
As long as their is imagination behind this franchise, Scooby-Doo could go on forever. He may deliver a few duds from time to time (Monster of Mexico was extremely crap after all) but he still a very important character in modern animation and will always come out on top if we believe in him.
Or am I taking this too seriously?