It's always nice to watch various films from a relatively long time ago in order to get a grasp of what set the standards for the discourses of today. "Paris qui dort" is a science fiction short which establishes several motifs of today's science fiction fancy.
Paris sleeps. People who were high above the ground, either in the Eiffel Tower or in an airplane come down to find a city almost frozen in time. Water, machines, regular things move, it's just that all the people are asleep. The characters then get to live their wildest dreams of freedom and riches until it just starts to not work out for them.
Some images, such as the initial main character's approach to a fountain, are immediately recognized as used in 28 Days Later... The sleeping people are often set in the same sort of not-quite-frozen, not-quite animated set-up that's later used in Dark City. It's interesting to see such images become inspiration for entire other works we recognize today.
Unfortunately, the short itself hardly feels able to stand on its own anymore. The initial shot of a static Paris has cars moving at the edge of the frame. The characters' own boredom unfortunately connects well with the modern audiences own. However, it's still creative and interesting enough to be worthy of recognition and to be respected for what it's done.
--PolarisDiB
Paris sleeps. People who were high above the ground, either in the Eiffel Tower or in an airplane come down to find a city almost frozen in time. Water, machines, regular things move, it's just that all the people are asleep. The characters then get to live their wildest dreams of freedom and riches until it just starts to not work out for them.
Some images, such as the initial main character's approach to a fountain, are immediately recognized as used in 28 Days Later... The sleeping people are often set in the same sort of not-quite-frozen, not-quite animated set-up that's later used in Dark City. It's interesting to see such images become inspiration for entire other works we recognize today.
Unfortunately, the short itself hardly feels able to stand on its own anymore. The initial shot of a static Paris has cars moving at the edge of the frame. The characters' own boredom unfortunately connects well with the modern audiences own. However, it's still creative and interesting enough to be worthy of recognition and to be respected for what it's done.
--PolarisDiB