In parts, nature becomes a character in "The Outlaw and His Wife". The aim for right action becomes a struggle between man and cruel nature (physical nature, human nature and the forces of the universe). The dénouement is the prime example. Director Victor Sjöström would do this to even better effect in "The Wind". When nature isn't a central character, the film tends to slip into overdone melodrama. There is some good use of low-key lighting and tinting, but it's not always enough. The plot feels rushed at times, jumping years between scenes. Sjöström's girlfriend throwing the child off the cliff was especially abrupt. When the conflict with nature or the beautiful scenery is prominent, however, the film is ravishing.
Review of The Outlaw and His Wife
