"Cute" is often used as a casual put-down when describing a romantic comedy, but first-time filmmaker Curt Truninger gives "cute" the substance that it rightfully deserves. Truninger and his co-writer/producer Margrit Ritzmann understand that formula is both the raison d'etre and potential hazard of this genre and they have boldly met it head on with a "cute" premise peopled by characters who make bad mistakes and shun the easy way of safe choices. The acting on the whole is very good, but the star Renee Coleman is perhaps too chilly a performer to completely engage our sympathies. This is especially evident during the scene when she is literally swept into the arms of hunk Roy Dupuis. This moment occurs with such suddenness it has the feeling of a fantasy that the audience is unprepared for, given the tepid chemistry of their previous encounters. After this somewhat unbelievable romantic moment, things settle into a more realistic rhythm of insecurities, infidelities, and subterfuges that can befall complicated adult relationships. Special mention should be made of co-star Ruth Marshall who provides added zip as the narrator and klutzy best friend who provides the most humour and emotional insight. Hats off also to Truninger's eye-popping use of Toronto locations, most never seen before, or used with such an assured eye to their visual possibilities. All in all, a confident and entertaining debut for this Swiss craftsman.
Review of Waiting for Michelangelo
