The Franco Nero and Enzo Castellari collaboration is best known for Keoma, which is generally (and rightly) accepted to be one of the last great Spaghetti Westerns. Filmed twenty years later, this film - although not particularly well known or lauded - stands up to the high quality set by its predecessor.
Jonathan of the Bears continues on the racism themes noted within Keoma, concentrating on an orphan's relationship with the indians and bear that nurtured him following his parent's execution, and the "greedy" white man that has no respect for the nature or beliefs of the natives.
This film is very touching, dealing with the sensitive issue of the plight of the indians and other minority races, whilst maintaining the exciting shootouts that we expect to see in our spaghetti westerns. In particular, the opening sequence that charts the death of Jonathan's parents, and his development from man to boy - the majority of which is shot in black and white - is very moving.
It is not the easiest of films to find, but I would definitely recommend it (particularly for those people that enjoyed Keoma).
Jonathan of the Bears continues on the racism themes noted within Keoma, concentrating on an orphan's relationship with the indians and bear that nurtured him following his parent's execution, and the "greedy" white man that has no respect for the nature or beliefs of the natives.
This film is very touching, dealing with the sensitive issue of the plight of the indians and other minority races, whilst maintaining the exciting shootouts that we expect to see in our spaghetti westerns. In particular, the opening sequence that charts the death of Jonathan's parents, and his development from man to boy - the majority of which is shot in black and white - is very moving.
It is not the easiest of films to find, but I would definitely recommend it (particularly for those people that enjoyed Keoma).