Interesting that the IMDb recommends the 1995 Bond film GoldenEye as a companion piece for admirers of The Prodigy. But the fact is that Prodigy likely has more inventiveness, directorial savvy, frightening villainy, editing prowess, and well-spent money in its cutting-floor leavings than GoldenEye, or dozens of other big actioners for that matter, have from beginning to end.
Genre films are often cranked out as hasty marketing gimmicks; perhaps they are watched and perhaps not, but in most cases either way, they're quickly forgotten. Here, we have a psychological/crime thriller that stays in the viewer's lens long after the credits have rolled. The acting is solid throughout--superb in spots, actually, especially from star Holt Boggs and costar and co-writer Matt Beckham--and the surprises are well-plotted and considered. Just as importantly, intricate, minutes-long gunbattle and action scenes, which would normally be confusing failures in most low-budget hands, are directed and edited with a precision that allows us to follow the jarring action with the same attention and involvement that we do when we see Prodigy's less-interesting big-budget brethren. Sometimes as many as ten characters are involved in these sequences, but we are never distracted, confused or annoyed by their number, as they are showcased only when needed, to maximum effect. (Added note, and kudo to director Kaufman: Thanks for not filming yet another Nine Inch Nails video and passing it off as an action film.)
I was surprised and impressed at a recent Texas screening of this film, and can only hope that some attentive distributor realizes that memorable, riveting action can be done for less than $10 million. If this one surfaces at a festival or theater near you, don't waste any time--see it.
Genre films are often cranked out as hasty marketing gimmicks; perhaps they are watched and perhaps not, but in most cases either way, they're quickly forgotten. Here, we have a psychological/crime thriller that stays in the viewer's lens long after the credits have rolled. The acting is solid throughout--superb in spots, actually, especially from star Holt Boggs and costar and co-writer Matt Beckham--and the surprises are well-plotted and considered. Just as importantly, intricate, minutes-long gunbattle and action scenes, which would normally be confusing failures in most low-budget hands, are directed and edited with a precision that allows us to follow the jarring action with the same attention and involvement that we do when we see Prodigy's less-interesting big-budget brethren. Sometimes as many as ten characters are involved in these sequences, but we are never distracted, confused or annoyed by their number, as they are showcased only when needed, to maximum effect. (Added note, and kudo to director Kaufman: Thanks for not filming yet another Nine Inch Nails video and passing it off as an action film.)
I was surprised and impressed at a recent Texas screening of this film, and can only hope that some attentive distributor realizes that memorable, riveting action can be done for less than $10 million. If this one surfaces at a festival or theater near you, don't waste any time--see it.