Exciting and well-paced, 'The Prodigy' is a crime movie that plays like a horror movie. You have the haunted hero and his quirky pals going up against the seemingly unstoppable killer that will take them all to the edge of their sanity. Put guns in every hand, and you have an offbeat and very welcome thriller.
'The Prodigy' is a little come-out-of-nowhere masterpiece, the first feature of director William Kaufman, who co-wrote the script with stars Boggs, and Beckham. It's a taught, tight independent movie that looks as slick as any Hollywood lackluster. The ample, almost endless fight-scenes and shoot-outs are expertly choreographed and edited, and the entire movie looks crisp and beautiful. This is one of those films where you can see every penny present on the screen, shot no doubt while the leads were crashing on each others' floors and eating beans out of a can. If there is any fault to be had with the film, it's that the plot is a bit murky, with motivations difficult to figure out at times-in the beginning, I was convinced that Truman was an undercover cop, and his bust had gone bad; in reality it was a situation of rival gangs having a lively, bloody discussion. But if you sit back and let 'The Prodigy' take you where it wants to go, you'll never be bored and never be anything less than entertained and impressed. Standing out on a pyramid of outstanding actors is the film's true find, star Holt Boggs, who infuses the morally-ambiguous Truman with a depth and intelligence not usually found in low-budget crime thrillers (or big budget ones, for that matter). Actress and stuntwoman Inosanto is fun to watch as well. Truth be told, there isn't a false note struck by any character.
Mike Watt - FILMTHREAT
'The Prodigy' is a little come-out-of-nowhere masterpiece, the first feature of director William Kaufman, who co-wrote the script with stars Boggs, and Beckham. It's a taught, tight independent movie that looks as slick as any Hollywood lackluster. The ample, almost endless fight-scenes and shoot-outs are expertly choreographed and edited, and the entire movie looks crisp and beautiful. This is one of those films where you can see every penny present on the screen, shot no doubt while the leads were crashing on each others' floors and eating beans out of a can. If there is any fault to be had with the film, it's that the plot is a bit murky, with motivations difficult to figure out at times-in the beginning, I was convinced that Truman was an undercover cop, and his bust had gone bad; in reality it was a situation of rival gangs having a lively, bloody discussion. But if you sit back and let 'The Prodigy' take you where it wants to go, you'll never be bored and never be anything less than entertained and impressed. Standing out on a pyramid of outstanding actors is the film's true find, star Holt Boggs, who infuses the morally-ambiguous Truman with a depth and intelligence not usually found in low-budget crime thrillers (or big budget ones, for that matter). Actress and stuntwoman Inosanto is fun to watch as well. Truth be told, there isn't a false note struck by any character.
Mike Watt - FILMTHREAT