In the late nineties up until the G. W. Bush election, documentary filmmakers Michael Galinsky and Suki Hawley stumbled upon a goldmine of subtance. At the time, James Hatfield's book "The Fortunate" was recalled for many reasons, mostly because of his shady background. With hopes that his biography's truth would outweigh his past, he meets with Sander Hicks, the colorful publisher of his company called Soft Skull. Hicks makes the documentary for the most part. He constantly changes through different punk phases throughout the film, suggesting that he was looking for himself simultaneously to looking for "The Fortunate Son"'s distribution. His band "White Collar Crime" provides not only some fun music for the soundtrack, but also an introspective into the young man's sometimes frantic personality and political rebellion. The trials and tribulations the odd pair go through are documented with a taut, always entertaining pace. The film is never boring or tedious, even when the book is in an ongoing limbo of failures and complications. I liked how Suki and Galinsky didn't try to justify Hatfield. By the end of the film, he is just as much of an enigma as he was when the film began. He is impossible to read and always unpredictable, but when a haunting tragedy strikes, he is not judged or manipulated. "Horns and Halos" is moody tale told with nimble filmmaking. Its solid theme of a tainted pass serves as a metaphor for a truth lost almost lost with ceonsorship.
Review of Horns and Halos
