Since I saw Suzuki Seijun's 'Branded to Kill', I have been enchanted by his weird and absurdistic filmmaking style. His 'Pistol Opera' does not betray my expectation and I really enjoyed his gorgeous visual style and absurdism.
I feel like seeing a painter do an abstract painting. He ignores the typical storytelling and performance, and searches the dark and irrational aspect of human desire and emotion.
In this film, 'the stray cat', NO.3 in the professional killer guild was asked to kill No.1 'hundred eye'. If she succeeds, she will be No.1, but if fails, she will be killed by No.1. So her assassination of No.1 is driven both by her will to rise in social hierarchy and by her drive to survive. It is the same as 'Branded to Kill'.
He must enjoy filmmaking. Some one tries to complete his artistic goal, others to earn money. Sujuki Seijun shows me the third, and the most important, level of filmmaking.
Just enjoy filmmaking itself! He reminds me the mentality Carpe Diem - filmmaking as a play, or ludenic element of filmmaking.
I feel like seeing a painter do an abstract painting. He ignores the typical storytelling and performance, and searches the dark and irrational aspect of human desire and emotion.
In this film, 'the stray cat', NO.3 in the professional killer guild was asked to kill No.1 'hundred eye'. If she succeeds, she will be No.1, but if fails, she will be killed by No.1. So her assassination of No.1 is driven both by her will to rise in social hierarchy and by her drive to survive. It is the same as 'Branded to Kill'.
He must enjoy filmmaking. Some one tries to complete his artistic goal, others to earn money. Sujuki Seijun shows me the third, and the most important, level of filmmaking.
Just enjoy filmmaking itself! He reminds me the mentality Carpe Diem - filmmaking as a play, or ludenic element of filmmaking.