Cloying at times but very compelling and all-but-unpredictable, 'Anniversary' surprises with its power and brutal candor, especially when one tries to discern the autobiographical truths. Saw it last at Disney company screening in NYC when I had no idea what I was about to see or who had created it. Amazed at end to discover in credits that co-stars Cumming and Leigh had written and directed the film.
Was especially struck by the performances of Jennifer Beals--whom I did not recognize--and Phoebe Cates, whose brilliance in one climactic scene w/ Leigh is startling. Impressed at heavyweights in cast like Kline, Paltrow and Cumming. Delighted to see John C. Reilly again (but where was buddy Philip Seymour Hoffman?) Newcomer Mina Badie was the most striking "rookie" in cast (but one whose name, phonetically, rivals that of "Snidely Whiplash.")
The technical miracle here came when I realized--only after screening and upon reading production notes--that the "film" was actually shot on digital video. I defy any non-pro viewer to recognize the difference. The success of the remarkably soft film-like cinematography here by veteran John Bailey may accelerate Hollywood's embrace of much cheaper, quicker video production. It's unintrusive effect is dazzling here.
Biggest flaw here is lack of substantial "story" and reliance on lengthy Ecstacy scene and theme. The politically incorrect happy-drug message here will hurt the movie with mainstream critics. This despite fact that plot does eventually include a moralistic, anti-drug hard-drug lesson in its somewhat predictable conclusion.
Was especially struck by the performances of Jennifer Beals--whom I did not recognize--and Phoebe Cates, whose brilliance in one climactic scene w/ Leigh is startling. Impressed at heavyweights in cast like Kline, Paltrow and Cumming. Delighted to see John C. Reilly again (but where was buddy Philip Seymour Hoffman?) Newcomer Mina Badie was the most striking "rookie" in cast (but one whose name, phonetically, rivals that of "Snidely Whiplash.")
The technical miracle here came when I realized--only after screening and upon reading production notes--that the "film" was actually shot on digital video. I defy any non-pro viewer to recognize the difference. The success of the remarkably soft film-like cinematography here by veteran John Bailey may accelerate Hollywood's embrace of much cheaper, quicker video production. It's unintrusive effect is dazzling here.
Biggest flaw here is lack of substantial "story" and reliance on lengthy Ecstacy scene and theme. The politically incorrect happy-drug message here will hurt the movie with mainstream critics. This despite fact that plot does eventually include a moralistic, anti-drug hard-drug lesson in its somewhat predictable conclusion.